My Highlights from Art Stage Singapore
Claude Lalanne is recognized for creating imaginative bronze objects that straddle the line between the fine and decorative arts. Working closely with her husband, Francois-Xavier Lalanne, she has produced a diverse body of sculptural work ranging from large-scale animal figures to furniture fashioned after tree branches and other vegetation, as in Banc (model Ginkgo) (2003). By adding artful aspects to functional objects, she aims to enrich life by injecting art into the everyday. Lalanne and her husband chose not embrace the abstraction that pervaded the mid-20th century art world, preferring to represent real life subjects (for Claude, typically some form of plant life) in a manner often regarded as surreal. This approach has won her great acclaim, and her work has been widely collected, including by Yves Saint Laurent, who commissioned Lalanne to create a mirrored room with vine-like moldings for his home.
French, b. 1924, Paris, France
Acclaimed for his surreal animal sculptures, Francois-Xavier Lalanne worked closely with his wife, Claude Lalanne, producing curious objects that blur the distinction between fine and decorative art. The Lalannes rejected the abstract styles popular during the mid 20th century, choosing instead to represent the flora and fauna of the natural world. While Claude preferred plant life, Francois-Xavier favored animals, creating works that, like Carpe (petite) (1987), add an artful element to daily domestic experience. Lalanne also created large-scale outdoor and public sculptures in which animals such as bulls, sheep, and gorillas are modeled in larger-than-life proportions, cast in bronze, and installed in locations ranging from rural backyards to bustling city streets. Whether indoors or outside, Lalanne’s works echo his belief that “the supreme art is the art of living.”
French, 1927-2008, Agen, France