Claudia Hart, ‘Nue Morte’, 2013, Installation, Porcelain dish with augmented reality activated pattern, tablet reader with custom case                         dish diameter: 11" / 28 cm       tablet: 8 x 4.75 x .5" / 20.3 x 12.1 x 1.3 cm                         produced at mOsantimetre, Istanbul with SEEK art, bitforms gallery
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Claudia Hart

Nue Morte, 2013

Porcelain dish with augmented reality activated pattern, tablet reader with custom case                         dish diameter: 11" / 28 cm       tablet: 8 x 4.75 x .5" / 20.3 x 12.1 x 1.3 cm                         produced at mOsantimetre, Istanbul with SEEK art
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Location
New York , Los Angeles , San Francisco
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Claudia Hart
American, b. 1955
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Claudia Hart’s works juxtapose the futuristic and the classical, combining 3-D animation software with such canonical images as the nude female form and still lifes of apples. Hart presents themes of death and the inevitable ravages of time, offset by a vision of an alternate technological universe in which plastic bodies elude decay. Though patently artificial, the figures in Hart’s film installations emote in a recognizably human way as they are put through often agonizing processes involving containment and atrophy. For the series “PhotoMortifications” (2007-2009), Hart superimposed 3-D images of decomposing statues on to photographs of large modern public interiors. In a similar interplay between artifice and authenticity, “The Real and the Fake” (2011) features photographed edibles of questionable nutritional value with computer-generated images of flawless apples, inspired by the decline in the quality of food.

Claudia Hart, ‘Nue Morte’, 2013, Installation, Porcelain dish with augmented reality activated pattern, tablet reader with custom case                         dish diameter: 11" / 28 cm       tablet: 8 x 4.75 x .5" / 20.3 x 12.1 x 1.3 cm                         produced at mOsantimetre, Istanbul with SEEK art, bitforms gallery
Save
Save
Share
Share
Claudia Hart
American, b. 1955
Follow

Claudia Hart’s works juxtapose the futuristic and the classical, combining 3-D animation software with such canonical images as the nude female form and still lifes of apples. Hart presents themes of death and the inevitable ravages of time, offset by a vision of an alternate technological universe in which plastic bodies elude decay. Though patently artificial, the figures in Hart’s film installations emote in a recognizably human way as they are put through often agonizing processes involving containment and atrophy. For the series “PhotoMortifications” (2007-2009), Hart superimposed 3-D images of decomposing statues on to photographs of large modern public interiors. In a similar interplay between artifice and authenticity, “The Real and the Fake” (2011) features photographed edibles of questionable nutritional value with computer-generated images of flawless apples, inspired by the decline in the quality of food.

Claudia Hart

Nue Morte, 2013

Porcelain dish with augmented reality activated pattern, tablet reader with custom case                         dish diameter: 11" / 28 cm       tablet: 8 x 4.75 x .5" / 20.3 x 12.1 x 1.3 cm                         produced at mOsantimetre, Istanbul with SEEK art
Contact For Price
Location
New York , Los Angeles , San Francisco
Have a question? Visit our help center.
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