Teddy

Mortifications is a series of heavy plastic figurines output from a Rapid Prototype machine. Individual 3D computer models are produced via a process normal to industrial manufacturing. In the Mortifications, a realistic model of a nude is digitally "mutilated" and subjected to irregular and apparently organic deformations. By creating forms that evoke decay out of non-biodegradable ABS plastic, using a process intended to produce prototypes for mass production, the Mortifications proposes a digital Baroque. Related to the intentions of the historical Baroque, the emotionally expressive, personal style of this imagery is intended to breathe irregularity and life into a conformist techno/consumer culture.

About Claudia Hart

Claudia Hart’s works juxtapose the futuristic and the classical, combining 3-D animation software with such canonical images as the nude female form and still lifes of apples. Hart presents themes of death and the inevitable ravages of time, offset by a vision of an alternate technological universe in which plastic bodies elude decay. Though patently artificial, the figures in Hart’s film installations emote in a recognizably human way as they are put through often agonizing processes involving containment and atrophy. For the series “PhotoMortifications” (2007-2009), Hart superimposed 3-D images of decomposing statues on to photographs of large modern public interiors. In a similar interplay between artifice and authenticity, “The Real and the Fake” (2011) features photographed edibles of questionable nutritional value with computer-generated images of flawless apples, inspired by the decline in the quality of food.

American, b. 1955, New York, New York, based in Chicago & New York

Solo Shows on Artsy

Group Shows on Artsy

2016
2016
The Need For My Care, Waterfall Mansion and Gallery, New York
2013
PostPictures, bitforms gallery
2012

Fair History on Artsy