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Claudio Parmiggiani, ‘Delocazione’, 1970, Martini Studio d'Arte
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Delocazione, 1970

Photographic reproduction on 2 transparent films
Bidding closed
About the work
Bibliography
Provenance
MSA
Martini Studio d'Arte

Signed and dated at the bottom right
Authentication of the artist on photography
Certificate of …

Medium
Photography
Claudio Parmiggiani
Italian, b. 1943
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Claudio Parmiggiani produced his first "Delocazioni" in 1970, using powder, smoke, fire, soot, and ash to make imprints on paper and boards, a technique he has continued to mine for recent works on panel that depict veil-like forms of light, shade, and movement. In his collage, sculpture, installation, and photography, Parmiggiani explores ways of creating and manipulating images and objects, showing the influence of Giorgio Morandi, whose studio he frequented in the late 1950s, as well as Marcel Duchamp and Piero Manzoni.

Claudio Parmiggiani, ‘Delocazione’, 1970, Martini Studio d'Arte
Save
Save
Share
Share
About the work
Bibliography
Provenance
MSA
Martini Studio d'Arte

Signed and dated at the bottom right
Authentication of the artist on photography
Certificate of Provenance Galleria Ferrari, Verona
Stamp Galleria de’ Foscherari, Bologna on the back side
cm. 51 x 42,5 (25,5 x 42,5 each)

Medium
Photography
Claudio Parmiggiani
Italian, b. 1943
Follow

Claudio Parmiggiani produced his first "Delocazioni" in 1970, using powder, smoke, fire, soot, and ash to make imprints on paper and boards, a technique he has continued to mine for recent works on panel that depict veil-like forms of light, shade, and movement. In his collage, sculpture, installation, and photography, Parmiggiani explores ways of creating and manipulating images and objects, showing the influence of Giorgio Morandi, whose studio he frequented in the late 1950s, as well as Marcel Duchamp and Piero Manzoni.

Delocazione, 1970

Photographic reproduction on 2 transparent films
Bidding closed
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