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Monet's Mums, ca. 1914

Earthenware
15 4/5 × 8 in
40.1 × 20.3 cm
Contact For Price
Location
New York
Have a question? Visit our help center.
About the work
Jason Jacques Gallery
New York
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While the allover distribution of the flower pattern on this vase reflects the influence of eastern …

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While the allover distribution of the flower pattern on this vase reflects the influence of eastern ceramic traditions on its design, the iridescent glaze is a novelty at the turn of the century. Chrysanthemums in changing hues of purple, blue and green twine on a fiery background, lit up by the glowing effect of …

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Medium
Design/Decorative Art
Clément Massier
French, 1845–1917
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Born into a family of ceramists, Clément Massier took an interest in the business from an early age. In 1884, after years of work, study, and travel, he relocated his share of the family firm to Golfe-Juan and began producing Hispano-Moresque-influenced pottery, with silver and copper oxide glazes made iridescence in a smoky kiln. Following the arrival Lucien Lévy-Dhurmer in 1887, Massier introduced fiery luster glazes enriched with etching and painting, applying them to forms ranging from hand-built individuality to slip-cast uniformity. He was soon in command of a busy factory and a showroom that boasted an elite international clientele. [Source: Jason Jacques]

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View in room
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About the work
Jason Jacques Gallery
New York
Follow

While the allover distribution of the flower pattern on this vase reflects the influence of eastern …

Read more

While the allover distribution of the flower pattern on this vase reflects the influence of eastern ceramic traditions on its design, the iridescent glaze is a novelty at the turn of the century. Chrysanthemums in changing hues of purple, blue and green twine on a fiery background, lit up by the glowing effect of …

Read more
Medium
Design/Decorative Art
Clément Massier
French, 1845–1917
Follow

Born into a family of ceramists, Clément Massier took an interest in the business from an early age. In 1884, after years of work, study, and travel, he relocated his share of the family firm to Golfe-Juan and began producing Hispano-Moresque-influenced pottery, with silver and copper oxide glazes made iridescence in a smoky kiln. Following the arrival Lucien Lévy-Dhurmer in 1887, Massier introduced fiery luster glazes enriched with etching and painting, applying them to forms ranging from hand-built individuality to slip-cast uniformity. He was soon in command of a busy factory and a showroom that boasted an elite international clientele. [Source: Jason Jacques]

Monet's Mums, ca. 1914

Earthenware
15 4/5 × 8 in
40.1 × 20.3 cm
Contact For Price
Location
New York
Have a question? Visit our help center.
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