Colette, ‘Justine at Banco Gallery’, 1978, IFAC Arts
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Colette

Justine at Banco Gallery, 1978

Acrylic and mixed media on photograph
12 × 12 in
30.5 × 30.5 cm
Contact For Price
Location
New York City, Athens, London
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Colette
Tunisian-American
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A prominent figure in the downtown New York scene of the 1970s, Colette’s multimedia work has influenced major artists and musicians, including Cindy Sherman and Madonna. Colette began working on the streets of SoHo, creating constructed photographic works that functioned as pastiches of painting genres, and lavish installations of bunched fabrics, pushing Victorian or Rococo interiors to postmodern extremes. In all of her work, Colette worked under the guise of performative personas that explore issues of the body, gender, and representation. Wearing extravagant costumes, she performed, live, and slept in her installations; she even once staged her own death at the downtown Whitney Museum. “I thought of myself as ‘post conceptual’ because I persisted and believed strongly in the power of symbols,” she said. “My work was putting less emphasis on the intellect alone. I sought unity of body, mind, and soul, in my life and art.”

Colette, ‘Justine at Banco Gallery’, 1978, IFAC Arts
Save
Save
View
View in room
Share
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Colette
Tunisian-American
Follow

A prominent figure in the downtown New York scene of the 1970s, Colette’s multimedia work has influenced major artists and musicians, including Cindy Sherman and Madonna. Colette began working on the streets of SoHo, creating constructed photographic works that functioned as pastiches of painting genres, and lavish installations of bunched fabrics, pushing Victorian or Rococo interiors to postmodern extremes. In all of her work, Colette worked under the guise of performative personas that explore issues of the body, gender, and representation. Wearing extravagant costumes, she performed, live, and slept in her installations; she even once staged her own death at the downtown Whitney Museum. “I thought of myself as ‘post conceptual’ because I persisted and believed strongly in the power of symbols,” she said. “My work was putting less emphasis on the intellect alone. I sought unity of body, mind, and soul, in my life and art.”

Colette

Justine at Banco Gallery, 1978

Acrylic and mixed media on photograph
12 × 12 in
30.5 × 30.5 cm
Contact For Price
Location
New York City, Athens, London
Have a question? Visit our help center.
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