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Colin Blakely

Effigy of the Unmarked but Persistent Passing of Time, 2007

Archival pigment ink print
10 × 12 1/2 in
25.4 × 31.8 cm
Edition of 25 + 5AP
This is part of a limited edition set.
location
New York
About the work
Aperture Foundation
New York
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He says, "In the most basic sense, this project is about the 400 and 500 blocks of Keech …

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He says, "In the most basic sense, this project is about the 400 and 500 blocks of Keech Avenue, an examination of my immediate surroundings. Bordered on one side by Michigan Stadium and by Almendinger Park on the other, both entities play an important role in the identity of the neighborhood. We have literally …

Read more
Signature
Signed and numbered by the artist
Colin Blakely
American, b. 1973
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Trained in mathematics and photography, Colin Blakely documents the landscape and people of his …

Read more

Trained in mathematics and photography, Colin Blakely documents the landscape and people of his native American Midwest. He works in both color and black-and-white, producing both un-manipulated, carefully framed photographs and heavily manipulated ones, his interventions intentionally obvious. A crucial component of …

Read more
Save
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view
View in room
share
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Save
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view
View in room
share
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About the work
Aperture Foundation
New York
Follow

He says, "In the most basic sense, this project is about the 400 and 500 blocks of Keech …

Read more

He says, "In the most basic sense, this project is about the 400 and 500 blocks of Keech Avenue, an examination of my immediate surroundings. Bordered on one side by Michigan Stadium and by Almendinger Park on the other, both entities play an important role in the identity of the neighborhood. We have literally …

Read more
Signature
Signed and numbered by the artist
Colin Blakely
American, b. 1973
Follow

Trained in mathematics and photography, Colin Blakely documents the landscape and people of his …

Read more

Trained in mathematics and photography, Colin Blakely documents the landscape and people of his native American Midwest. He works in both color and black-and-white, producing both un-manipulated, carefully framed photographs and heavily manipulated ones, his interventions intentionally obvious. A crucial component of …

Read more

Colin Blakely

Effigy of the Unmarked but Persistent Passing of Time, 2007

Archival pigment ink print
10 × 12 1/2 in
25.4 × 31.8 cm
Edition of 25 + 5AP
This is part of a limited edition set.
location
New York
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