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Samsons Nostalgia Trap, 2014

Archival pigment print with silkscreen gloss on 330 gsm Somerset Satin paper
Edition of 200
Bidding closed
About the work
CA
Chiswick Auctions

signed and numbered from an edition of 200 in pencil

with Lazarides blindstamp

published by …

Read more

signed and numbered from an edition of 200 in pencil

with Lazarides blindstamp

published by Lazarides; sheet: 74 x 100cm

Subject to Artist's Resale Rights (see Conditions of Sale for further information)

Conor Harrington
Irish, b. 1980
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While the military figures in Conor Harrington’s powerful street paintings refer to the masculinity …

Read more

While the military figures in Conor Harrington’s powerful street paintings refer to the masculinity of urban culture, they can also be interpreted as self-portraits of the stoic, pensive persona of the contemporary painter. Harrington’s loose brushwork, seemingly unfinished imagery, dripping paint, and graffiti …

Read more
Save
Save
share
Share
Save
Save
share
Share
About the work
CA
Chiswick Auctions

signed and numbered from an edition of 200 in pencil

with Lazarides blindstamp

published by …

Read more

signed and numbered from an edition of 200 in pencil

with Lazarides blindstamp

published by Lazarides; sheet: 74 x 100cm

Subject to Artist's Resale Rights (see Conditions of Sale for further information)

Conor Harrington
Irish, b. 1980
Follow

While the military figures in Conor Harrington’s powerful street paintings refer to the masculinity …

Read more

While the military figures in Conor Harrington’s powerful street paintings refer to the masculinity of urban culture, they can also be interpreted as self-portraits of the stoic, pensive persona of the contemporary painter. Harrington’s loose brushwork, seemingly unfinished imagery, dripping paint, and graffiti …

Read more

Samsons Nostalgia Trap, 2014

Archival pigment print with silkscreen gloss on 330 gsm Somerset Satin paper
Edition of 200
Bidding closed