Conrad Marca-Relli, ‘The Sunday Caller’, 1982, Hollis Taggart Galleries

This collage has been authenticated by the estate and given number MR 9870. A photo certificate from the Archivio Marca-Relli accompanies this work.

Signature: Signed lower right: "MARCA-RELLI" Signed, dated and titled verso

New York, Alex Rosenberg Gallery, "Conrad Marca-Relli: Homage to La Belle Epoque," October 5-31, 1983.

B. H. Friedman, "Conrad Marca-Relli: Homage to La Belle Epoque" (New York: Alex Rosenberg Gallery, 1983), illustrated.

Private collection

About Conrad Marca-Relli

Conrad Marca-Relli’s paintings and collages evoke architecture and the figure through intersecting abstract shapes. Working initially as a painter of surrealistic carnival scenes and cityscapes, he later came into contact with Abstract Expressionists like Willem de Kooning, which ushered in a dramatic shift in his practice towards purer abstraction. While still retaining an interest in architecture and urban landscape, Marca-Relli experimented with abstract collage, integrating figural elements made from textiles, drawings, metals, and plastics: this would become the defining practice of his career.

American, 1913-2000, Boston, Massachusetts, based in Parma, Italy

Group Shows

New York, NY, United States,
Abstract Expressionism / In Context: Seymour Lipton
New York, NY, United States,
INsite/INchelsea: The Inaugural Exhibition
New York, NY, United States,
Abstract Expressionism: Further Evidence (Part One: Painting)
View Artist's CV