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Self-Portrait with Polaire, ca. 1925

Vintage Silver Gelatin Print
9 2/5 × 7 in
23.8 × 17.8 cm
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location
Genève
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About the work
Grob Gallery
Genève
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Inscribed
The original 14,8 x 10 cm glass plate negative is in the Centre Georges Pompidou in Paris.

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Inscribed
The original 14,8 x 10 cm glass plate negative is in the Centre Georges Pompidou in Paris.

Constantin Brâncuși
Romanian-French, 1876–1957
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Seminal modern sculptor Constantin Brancusi created metal castings and carvings in stone and wood that, unadorned and reduced in form, fulfilled his famous principle: “What is real is not the appearance, but the idea, the essence of things.” After moving to Paris from his native Romania, Brancusi was invited to study in Auguste Rodin’s workshop, but left after two months with the explanation that, “Nothing can grow under big trees.” Brancusi’s signature style is graceful in its simplicity, as with his iconic The Kiss (1907-1910) and Bird (1940); he would return to these and other motifs throughout his career, centered on primordial, biomorphic forms. Brancusi was influenced by art and folklore of Cycladic, African, and Romanian cultures, and he inspired numerous sculptors to focus on fundamental concerns of form and space, including Richard Serra and Isamu Noguchi, the latter serving as his studio assistant in 1927.

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View in room
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Save
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About the work
Grob Gallery
Genève
Follow

Inscribed
The original 14,8 x 10 cm glass plate negative is in the Centre Georges Pompidou in Paris.

Read more

Inscribed
The original 14,8 x 10 cm glass plate negative is in the Centre Georges Pompidou in Paris.

Constantin Brâncuși
Romanian-French, 1876–1957
Follow

Seminal modern sculptor Constantin Brancusi created metal castings and carvings in stone and wood that, unadorned and reduced in form, fulfilled his famous principle: “What is real is not the appearance, but the idea, the essence of things.” After moving to Paris from his native Romania, Brancusi was invited to study in Auguste Rodin’s workshop, but left after two months with the explanation that, “Nothing can grow under big trees.” Brancusi’s signature style is graceful in its simplicity, as with his iconic The Kiss (1907-1910) and Bird (1940); he would return to these and other motifs throughout his career, centered on primordial, biomorphic forms. Brancusi was influenced by art and folklore of Cycladic, African, and Romanian cultures, and he inspired numerous sculptors to focus on fundamental concerns of form and space, including Richard Serra and Isamu Noguchi, the latter serving as his studio assistant in 1927.

Self-Portrait with Polaire, ca. 1925

Vintage Silver Gelatin Print
9 2/5 × 7 in
23.8 × 17.8 cm
Contact For Price
location
Genève
Have a question? Read our FAQ.
Want to sell a work by this artist? Consign with Artsy.
Other works from BRANCUSI, Photographs - The sculpture and his work.
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