19" x 25" image on 20" x 30" sheet.
In this richly colorful series, the persona of the artist is the central figure, performing a psychological struggle with her doppelgänger — a fictional ghostly double of a living person, widely understood as sinister and a harbinger of bad luck. These striking images will amuse, challenge, intrigue and captivate the viewer.
Each image is constructed from six to nine photographs, employing a device which is increasingly prevalent in contemporary photography — that of the tableau-vivant, in which a pictorial narrative is carefully choreographed into a single image. Through the presentation of different characters, Hediger explores notions of the uncanny, the conscious / unconscious and moral ambiguity — perceptively juxtaposed with a fine-drawn level of dry humor.
Hediger’s photo assemblages present stories that are also fascinating for their obliqueness, enabling the viewer to invest some of their own narrative interpretations. Her storytelling demonstrates more than a hint of literary and psychological theory, and it is this that makes her photographs all the more compelling. These internalized depictions of illusory spaces and scenarios oblige us to draw comparisons to the work of Claude Cahun, Francesca Woodman and even Hans Bellmer.
Series: Doppelgänger I
Signature: Signed, dated, numbered, titled via label.
Image rights: Cornelia Hediger
Klompching Gallery, September 10–October 31, 2008.
Direct from the artist.
About Cornelia Hediger
Though photographer Cornelia Hediger describes herself as private, she mines her own life for her work, as she explains: “I use photography as a visual diary. The inspirations are drawn from my own life.” Both creator and subject of her work, Hediger thinks of herself as a performer who enacts her own internal dialog in front of her camera. By staging ambiguous, impressionistic scenes, she deliberately allows room for interpretation, effectively balancing the personal with a more universal experience of the self.
b. 1967, Zurich, Switzerland