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Craig McPherson

BRADDOCK; CLAIRTON; EDGAR THOMPSON, 1997

Three mezzotints
Bidding closed
About the work
D
Doyle

The first and third on blue, the second on pale green, laid paper, signed, dated, titled, the first …

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The first and third on blue, the second on pale green, laid paper, signed, dated, titled, the first and third numbered 9/75 and 25/75 respectively, the second inscribed ED. 75, in pencil, with full margins, framed.

Largest 17 3/8 x 23 3/4 inches; 441 x 603 mm.

Craig McPherson
American, b. 1948
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Throughout the 1970s and ’80s, Craig McPherson depicted urban landscapes of New York City at night, …

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Throughout the 1970s and ’80s, Craig McPherson depicted urban landscapes of New York City at night, using the mezzotint printmaking technique to capture subtle tonalities and a shadowy, brooding atmosphere reminiscent of film noir. He was commissioned by American Express to produce two vast mural cycles in the …

Read more
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About the work
D
Doyle

The first and third on blue, the second on pale green, laid paper, signed, dated, titled, the first …

Read more

The first and third on blue, the second on pale green, laid paper, signed, dated, titled, the first and third numbered 9/75 and 25/75 respectively, the second inscribed ED. 75, in pencil, with full margins, framed.

Largest 17 3/8 x 23 3/4 inches; 441 x 603 mm.

Craig McPherson
American, b. 1948
Follow

Throughout the 1970s and ’80s, Craig McPherson depicted urban landscapes of New York City at night, …

Read more

Throughout the 1970s and ’80s, Craig McPherson depicted urban landscapes of New York City at night, using the mezzotint printmaking technique to capture subtle tonalities and a shadowy, brooding atmosphere reminiscent of film noir. He was commissioned by American Express to produce two vast mural cycles in the …

Read more

Craig McPherson

BRADDOCK; CLAIRTON; EDGAR THOMPSON, 1997

Three mezzotints
Bidding closed
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