Artist Craig McPherson is known for his New York murals, paintings and mezzotint engravings, reflecting his 30-year tenure in New York City.
McPherson's work has been exhibited in one-man gallery shows in New York, where he is represented by Forum Gallery, and in group shows all over the world. His body of work …

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Hand-signed by artist, Front lower right
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Frame
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Throughout the 1970s and ’80s, Craig McPherson depicted urban landscapes of New York City at night, using the mezzotint printmaking technique to capture subtle tonalities and a shadowy, brooding atmosphere reminiscent of film noir. He was commissioned by American Express to produce two vast mural cycles in the 1980s—one depicting the waterways and bridges of Manhattan, the other 10 harbors from around the world. Over the course of his career, McPherson has returned repeatedly to his favored subjects; Yankee Stadium (Heavy Mist) (2006) recalls his earlier iconic work Yankee Stadium At Night (1983), a dramatic rendering of the landmark cast in an eerie cloud of mist and light.

Selected exhibitions
2008
Pittsburgh Drawings by Craig McPhersonThe Frick Museum
1998
Darkness into Light: Craig McPherson and the Art of MezzotintFitzwilliam Museum
1996
Mezzotint, Art of DarknessNew Orleans Museum of Art
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Summer Yankee Stadium, 1981-1983

Oil on Linen
63 × 69 in
160 × 175.3 cm
.
Certificate
This work includes a certificate of authenticity.

Artist Craig McPherson is known for his New York murals, paintings and mezzotint engravings, …

Medium
Signature
Hand-signed by artist, Front lower right
Certificate of authenticity
Included
Frame
Included

Throughout the 1970s and ’80s, Craig McPherson depicted urban landscapes of New York City at night, using the mezzotint printmaking technique to capture subtle tonalities and a shadowy, brooding atmosphere reminiscent of film noir. He was commissioned by American Express to produce two vast mural cycles in the 1980s—one depicting the waterways and bridges of Manhattan, the other 10 harbors from around the world. Over the course of his career, McPherson has returned repeatedly to his favored subjects; Yankee Stadium (Heavy Mist) (2006) recalls his earlier iconic work Yankee Stadium At Night (1983), a dramatic rendering of the landmark cast in an eerie cloud of mist and light.

Selected exhibitions (3)
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