Cy Twombly, ‘Roman Notes’, Christie's

CY TWOMBLY (1928–2011)

Roman Notes

signed, numbered and dated ‘15/100’ (on the reverse of each sheet)

six elements - offset-lithographs on paper

overall: 68 3/8 x 82 ¼ in. (1736 x 2063 mm.)

(6)Executed in 1970. This work is number 15 from the edition of one hundred plus ten artist’s proofs.

Signature: signed, numbered and dated ‘15/100’ (on the reverse of each sheet)

H. Bastian, Cy Twombly Das Graphische Werk 1953-1984, A Catalogue Raisonné of the Printed Graphic Work, New York, 1985, pp. 52-53, nos. 21-26 (another example from the edition illustrated in color), pp. 54-55 (another example from the edition illustrated in black and white).

Obelisk Gallery, Boston

Acquired from the above by the present owner

About Cy Twombly

Cy Twombly emerged in the 1950s, developing a characteristic painting style of expressive drips and active, scribbled, and scratched lines. “My line is childlike but not childish,” he once said. “It is very difficult to fake…to get that quality you need to project yourself into the child's line. It has to be felt.” Early influences included Willem de Kooning, Franz Kline, Jackson Pollock, and Robert Motherwell, but more formative would be his relationships with Robert Rauschenberg and Jasper Johns, along with whom he would distance himself from the dominance of Abstract Expressionism. Twombly's work also appeared in one of the first exhibitions to explore ideas of Minimalism—“Black, White, and Grey” (1964)—along with Agnes Martin, Frank Stella, and Andy Warhol. In addition to his paintings, which were sometimes dismissed as "high-art graffiti," he produced sculptures assembled from found objects, clay, and plaster, painted white to suggest an affinity to Classicism.

American, 1928-2011, Lexington, Virginia, based in New York and Rome