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Cy Twombly: In the Studio - Museum Brandhorst
In past show

Medium
Image rights
Photo: Haydar Koyupinar, Bavarian Staatsgemälde-collections, Museum Brandhorst, Munich © Cy Twombly Foundation

Cy Twombly emerged in the 1950s, developing a characteristic painting style of expressive drips and active, scribbled, and scratched lines. “My line is childlike but not childish,” he once said. “It is very difficult to fake…to get that quality you need to project yourself into the child's line. It has to be felt.” Early influences included Willem de Kooning, Franz Kline, Jackson Pollock, and Robert Motherwell, but more formative would be his relationships with Robert Rauschenberg and Jasper Johns, along with whom he would distance himself from the dominance of Abstract Expressionism. Twombly's work also appeared in one of the first exhibitions to explore ideas of Minimalism—“Black, White, and Grey” (1964)—along with Agnes Martin, Frank Stella, and Andy Warhol. In addition to his paintings, which were sometimes dismissed as "high-art graffiti," he produced sculptures assembled from found objects, clay, and plaster, painted white to suggest an affinity to Classicism.

High auction record
$70.5m, Sotheby's, 2015
Blue-chip
Represented by internationally recognized galleries.
Collected by major museums
Tate, Museum of Modern Art (MoMA)
Selected exhibitions
2021
Sommergäste: Cy TwomblyBASTIAN
2016
Cy Twombly: In the StudioMuseum Brandhorst
2015
Cy Twombly: Painting and SculptureKunstmuseum Basel
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Summer Madness (Gaeta/Bassano), 1990

Oil paint , gouache , lead and Bunstift on paper
59 1/10 × 49 3/5 in
150 × 126 cm
Location
Munich
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Medium
Image rights
Photo: Haydar Koyupinar, Bavarian Staatsgemälde-collections, Museum Brandhorst, Munich © Cy Twombly Foundation

Cy Twombly emerged in the 1950s, developing a characteristic painting style of expressive drips and active, scribbled, and scratched lines. “My line is childlike but not childish,” he once said. “It is very difficult to fake…to get that quality you need to project yourself into the child's line. It has to be felt.” Early influences included Willem de Kooning, Franz Kline, Jackson Pollock, and Robert Motherwell, but more formative would be his relationships with Robert Rauschenberg and Jasper Johns, along with whom he would distance himself from the dominance of Abstract Expressionism. Twombly's work also appeared in one of the first exhibitions to explore ideas of Minimalism—“Black, White, and Grey” (1964)—along with Agnes Martin, Frank Stella, and Andy Warhol. In addition to his paintings, which were sometimes dismissed as "high-art graffiti," he produced sculptures assembled from found objects, clay, and plaster, painted white to suggest an affinity to Classicism.

High auction record
$70.5m, Sotheby's, 2015
Blue-chip
Represented by internationally recognized galleries.
Collected by major museums
Tate, Museum of Modern Art (MoMA)
Selected exhibitions (3)

Series by this artist

Other works by Cy Twombly
Related works