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Cy Twombly, ‘Untitled’, Christie's
Cy Twombly, ‘Untitled’, Christie's
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Cy Twombly

Untitled

Oil, graphite and wax crayon on paper
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About the work
Bibliography
Provenance
C
Christie's

Cy Twombly (1928-2011)

Untitled

signed and dated 'Cy Twombly 1969' (on the reverse)

oil, …

Cy Twombly (1928-2011)

Untitled

signed and dated 'Cy Twombly 1969' (on the reverse)

oil, graphite and wax crayon on paper

33 1/2 x 30 in. (85.1 x 76.2 cm.)

Executed in 1969.

Signature
Signed and dated 'Cy Twombly 1969' (on the reverse)
Cy Twombly
American, 1928–2011
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Cy Twombly emerged in the 1950s, developing a characteristic painting style of expressive drips and active, scribbled, and scratched lines. “My line is childlike but not childish,” he once said. “It is very difficult to fake…to get that quality you need to project yourself into the child's line. It has to be felt.” Early influences included Willem de Kooning, Franz Kline, Jackson Pollock, and Robert Motherwell, but more formative would be his relationships with Robert Rauschenberg and Jasper Johns, along with whom he would distance himself from the dominance of Abstract Expressionism. Twombly's work also appeared in one of the first exhibitions to explore ideas of Minimalism—“Black, White, and Grey” (1964)—along with Agnes Martin, Frank Stella, and Andy Warhol. In addition to his paintings, which were sometimes dismissed as "high-art graffiti," he produced sculptures assembled from found objects, clay, and plaster, painted white to suggest an affinity to Classicism.

Cy Twombly, ‘Untitled’, Christie's
Cy Twombly, ‘Untitled’, Christie's
Save
Save
Share
Share
Save
Save
Share
Share
About the work
Bibliography
Provenance
C
Christie's

Cy Twombly (1928-2011)

Untitled

signed and dated 'Cy Twombly 1969' (on the reverse)

oil, …

Cy Twombly (1928-2011)

Untitled

signed and dated 'Cy Twombly 1969' (on the reverse)

oil, graphite and wax crayon on paper

33 1/2 x 30 in. (85.1 x 76.2 cm.)

Executed in 1969.

Signature
Signed and dated 'Cy Twombly 1969' (on the reverse)
Cy Twombly
American, 1928–2011
Follow

Cy Twombly emerged in the 1950s, developing a characteristic painting style of expressive drips and active, scribbled, and scratched lines. “My line is childlike but not childish,” he once said. “It is very difficult to fake…to get that quality you need to project yourself into the child's line. It has to be felt.” Early influences included Willem de Kooning, Franz Kline, Jackson Pollock, and Robert Motherwell, but more formative would be his relationships with Robert Rauschenberg and Jasper Johns, along with whom he would distance himself from the dominance of Abstract Expressionism. Twombly's work also appeared in one of the first exhibitions to explore ideas of Minimalism—“Black, White, and Grey” (1964)—along with Agnes Martin, Frank Stella, and Andy Warhol. In addition to his paintings, which were sometimes dismissed as "high-art graffiti," he produced sculptures assembled from found objects, clay, and plaster, painted white to suggest an affinity to Classicism.

Cy Twombly

Untitled

Oil, graphite and wax crayon on paper
Want to sell a work by this artist? Consign with Artsy.
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