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Cy Twombly

Untitled [Six Works]

Color lithograph
Bidding closed
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About the work
Exhibition history
Bibliography
Provenance
S
Sotheby's

smallest: 21 5/8 by 29 1/2 in. 55 by 74.9 cm.
largest: 22 3/8 by 30 1/8 in. 56.8 by 76.5 cm.

From …

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smallest: 21 5/8 by 29 1/2 in. 55 by 74.9 cm.
largest: 22 3/8 by 30 1/8 in. 56.8 by 76.5 cm.

From the Catalogue
"Around 1967-1968, Twombly isolated the abstraction of movement, whether at rest or in motion, and its coefficient, space-time; the passionate centrifugal motion of Galatea is transformed into the supreme …

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Signature
Each signed, dated 71 and numbered respectively
Cy Twombly
American, 1928–2011
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Cy Twombly emerged in the 1950s, developing a characteristic painting style of expressive drips and active, scribbled, and scratched lines. “My line is childlike but not childish,” he once said. “It is very difficult to fake…to get that quality you need to project yourself into the child's line. It has to be felt.” Early influences included Willem de Kooning, Franz Kline, Jackson Pollock, and Robert Motherwell, but more formative would be his relationships with Robert Rauschenberg and Jasper Johns, along with whom he would distance himself from the dominance of Abstract Expressionism. Twombly's work also appeared in one of the first exhibitions to explore ideas of Minimalism—“Black, White, and Grey” (1964)—along with Agnes Martin, Frank Stella, and Andy Warhol. In addition to his paintings, which were sometimes dismissed as "high-art graffiti," he produced sculptures assembled from found objects, clay, and plaster, painted white to suggest an affinity to Classicism.

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share
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share
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About the work
Exhibition history
Bibliography
Provenance
S
Sotheby's

smallest: 21 5/8 by 29 1/2 in. 55 by 74.9 cm.
largest: 22 3/8 by 30 1/8 in. 56.8 by 76.5 cm.

From …

Read more

smallest: 21 5/8 by 29 1/2 in. 55 by 74.9 cm.
largest: 22 3/8 by 30 1/8 in. 56.8 by 76.5 cm.

From the Catalogue
"Around 1967-1968, Twombly isolated the abstraction of movement, whether at rest or in motion, and its coefficient, space-time; the passionate centrifugal motion of Galatea is transformed into the supreme …

Read more
Signature
Each signed, dated 71 and numbered respectively
Cy Twombly
American, 1928–2011
Follow

Cy Twombly emerged in the 1950s, developing a characteristic painting style of expressive drips and active, scribbled, and scratched lines. “My line is childlike but not childish,” he once said. “It is very difficult to fake…to get that quality you need to project yourself into the child's line. It has to be felt.” Early influences included Willem de Kooning, Franz Kline, Jackson Pollock, and Robert Motherwell, but more formative would be his relationships with Robert Rauschenberg and Jasper Johns, along with whom he would distance himself from the dominance of Abstract Expressionism. Twombly's work also appeared in one of the first exhibitions to explore ideas of Minimalism—“Black, White, and Grey” (1964)—along with Agnes Martin, Frank Stella, and Andy Warhol. In addition to his paintings, which were sometimes dismissed as "high-art graffiti," he produced sculptures assembled from found objects, clay, and plaster, painted white to suggest an affinity to Classicism.

Cy Twombly

Untitled [Six Works]

Color lithograph
Bidding closed
Want to sell a work by this artist? Consign with Artsy.
Other works by Cy Twombly
Related works
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