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Dadamaino

Disegno ottico-dinamico-indeterminato progr. 5, 1964-1965

Ink on card
15 × 15 in
38.1 × 38.1 cm
This is a unique work.
$30,000
Ships from Long Island City, NY, US
Shipping: $300 domestic, $500 rest of world
Certificate
Certificate of authenticity
This work includes a certificate of authenticity.
Locked
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About the work
Provenance
ARCHEUS/POST-MODERN
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The work is recorded in the Archivio Dadamaino, and is accompanied by their photo-certificate of …

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The work is recorded in the Archivio Dadamaino, and is accompanied by their photo-certificate of authenticity no. 061/15 dated 23rd July 2015

Condition
In excellent condition
Signature
Hand-signed by artist, Signed, titled, dated 1964-1965 and dedicated "con affettuosa amicizia Dadamaino 12.1.1965" on the reverse
Certificate of authenticity
Included
Frame
Included
Dadamaino
Italian, 1935–2004
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Dadamaino (born Eduarda Emilia Maino), a self-taught artist and a member of the Milanese avant-garde, had an incredibly rich and eclectic career. In the late 1950s, she received attention for her series of black-and-white canvases, what she called “Volumes,” that featured large punctured holes, much like Lucio Fontana’s “Buchi” (“Hole”) paintings. At this time, she was a member of Piero Manzoni’s Azimuth Gallery in Milan, which was connected with Germany’s Group Zero, the Dutch Group Nul, and Group Motus in France, though she later went on to join the Nouvelle Tendence movement whose members included Getulio Alviani, Bruno Munari, and Jesus Rafael Soto. In the 1970s, Dadamaino explored Op Art in a series of psychedelic optical paintings, and in the 1980s she developed original alphabet-like signs that she repeated obsessively in small, text-like formats on canvas. One of Italy’s most progressive artists, Dadamaino was twice included in the Venice Biennale.

Save
Save
view
View in room
share
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Save
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view
View in room
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About the work
Provenance
ARCHEUS/POST-MODERN
Follow

The work is recorded in the Archivio Dadamaino, and is accompanied by their photo-certificate of …

Read more

The work is recorded in the Archivio Dadamaino, and is accompanied by their photo-certificate of authenticity no. 061/15 dated 23rd July 2015

Condition
In excellent condition
Signature
Hand-signed by artist, Signed, titled, dated 1964-1965 and dedicated "con affettuosa amicizia Dadamaino 12.1.1965" on the reverse
Certificate of authenticity
Included
Frame
Included
Dadamaino
Italian, 1935–2004
Follow

Dadamaino (born Eduarda Emilia Maino), a self-taught artist and a member of the Milanese avant-garde, had an incredibly rich and eclectic career. In the late 1950s, she received attention for her series of black-and-white canvases, what she called “Volumes,” that featured large punctured holes, much like Lucio Fontana’s “Buchi” (“Hole”) paintings. At this time, she was a member of Piero Manzoni’s Azimuth Gallery in Milan, which was connected with Germany’s Group Zero, the Dutch Group Nul, and Group Motus in France, though she later went on to join the Nouvelle Tendence movement whose members included Getulio Alviani, Bruno Munari, and Jesus Rafael Soto. In the 1970s, Dadamaino explored Op Art in a series of psychedelic optical paintings, and in the 1980s she developed original alphabet-like signs that she repeated obsessively in small, text-like formats on canvas. One of Italy’s most progressive artists, Dadamaino was twice included in the Venice Biennale.

Dadamaino

Disegno ottico-dinamico-indeterminato progr. 5, 1964-1965

Ink on card
15 × 15 in
38.1 × 38.1 cm
This is a unique work.
$30,000
Ships from Long Island City, NY, US
Shipping: $300 domestic, $500 rest of world
Certificate
Certificate of authenticity
This work includes a certificate of authenticity.
Locked
Secure payment
Secure transactions by credit card through Stripe.
Learn more.
Have a question? Read our FAQ or ask a specialist.
Want to sell a work by this artist? Consign with Artsy.
Other works by Dadamaino
Other works from ARCHEUS/POST-MODERN