CA
Chiswick Auctions

17.5 x 8 x 8 cm (7 x 3 1/4 x 3 1/4 in)

Subject to Artist's Resale Rights (see Conditions of Sale for further information).

Medium

Damien Hirst, a poster boy for the Young British Artists who rose to prominence in late 1980s London, is one of the most notorious artists of his generation. He has pushed the limits of fine art and good taste with sculptures that comprise dead animals submerged in formaldehyde; innumerable spot paintings that appear mass-produced and can sell for millions of dollars; and the exuberantly tacky For the Love of God (2007), a human skull studded with 8,601 diamonds. Through his installations, sculptures, drawings, and paintings, Hirst explores themes including religion, mortality, and desire. Since 1988, when the artist developed and curated “Freeze,” a groundbreaking exhibition of his work and that of his Goldsmiths College peers, he has been the subject of major shows at Tate Modern in London, the National Gallery of Art in Washington, D.C., and the Rijksmuseum in Amsterdam. In 2008, Hirst controversially staged “Beautiful Inside my Head Forever,” an auction in which he sold his work directly to the public and raked in around $200 million for himself. His individual works have sold for more than $10 million at auction.

High auction record
£9.7m, Sotheby's, 2007
Blue-chip
Represented by internationally recognized galleries.
Collected by major museums
Tate, Museum of Modern Art (MoMA)
Selected exhibitions
2021
Damien Hirst: Fact Paintings and Fact SculpturesGagosian
2018
Damien Hirst: Colour Space PaintingsGagosian
2015
TritticoFondazione Prada
View all

From Hollywood films to scientific footage to classical literature, Douglas Gordon takes the seemingly familiar and twists it. Having begun his career as a performance artist, Gordon has produced a diverse body of works, which has grown to include video, sound photographic objects, and texts, often plays with viewers’ perceptions, memories and expectations. In his well known work 24 Hour Psycho (1993), he slows down Alfred Hitchcock's legendary 1960 film Psycho into a full day's duration, drawing out the horror until it has ceased to be suspenseful. As Gordon himself has said, “I am the one who provides the board, the pieces and the dice, but you are the one who has to play.” Gordon won a Hugo Boss Prize in 1998.

Blue-chip
Represented by internationally recognized galleries.
Collected by major museums
Tate, Museum of Modern Art (MoMA), San Francisco Museum of Modern Art (SFMOMA)
Selected exhibitions
2018
Douglas Gordon "I will, if you will..."Galeria Marília Razuk
2017
Douglas Gordon: I had nowhere to go: Portrait of a displaced personGagosian
Douglas Gordon: back and forth and forth and backGagosian
View all

A pioneer of new-media art since the mid-1970s, Tony Oursler is best known for his video projections and installation works that explore technology's effects on the human mind. Honing in on much of humanity's compulsive relationship with computers and virtual networks, Oursler orchestrates microcosmic scenes, tableaus, and interventions that convey the obsession, escapism, isolation, and sexual fetish that cause or grow out of technological dependence. His works include talking streetlights, an eight-foot-long five-dollar bill with an eerily animated Abe Lincoln, an enormous cell phone spewing disjointed snippets of conversations, and ghoulish heads muttering phrases like “You treat me like garbage. I told you I love you but I don’t. Thanks for nothing.” Oursler invites viewers into disorienting psychological mini-dramas, at once engaging in their humor and disturbing for their uncanny juxtapositions and keen, biting commentaries.

Blue-chip
Represented by internationally recognized galleries.
Collected by major museums
Tate, Museum of Modern Art (MoMA), San Francisco Museum of Modern Art (SFMOMA)
Selected exhibitions
2017
Sound Digressions: SpectrumGalerie Mitterrand
2016
TONY OURSLER »𝗉𝖴#\*𝖼«Galerie Hans Mayer
2014
Tony Oursler: ObscuraGalerie Hans Mayer
View all
Roderick Buchanan
Roderick Buchanan

Motive on Beck's

Limited edition glasses
6 9/10 × 3 1/10 × 3 1/10 in
17.5 × 8 × 8 cm
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CA
Chiswick Auctions

17.5 x 8 x 8 cm (7 x 3 1/4 x 3 1/4 in)

Subject to Artist's Resale Rights (see Conditions of Sale

Medium

Damien Hirst, a poster boy for the Young British Artists who rose to prominence in late 1980s London, is one of the most notorious artists of his generation. He has pushed the limits of fine art and good taste with sculptures that comprise dead animals submerged in formaldehyde; innumerable spot paintings that appear mass-produced and can sell for millions of dollars; and the exuberantly tacky For the Love of God (2007), a human skull studded with 8,601 diamonds. Through his installations, sculptures, drawings, and paintings, Hirst explores themes including religion, mortality, and desire. Since 1988, when the artist developed and curated “Freeze,” a groundbreaking exhibition of his work and that of his Goldsmiths College peers, he has been the subject of major shows at Tate Modern in London, the National Gallery of Art in Washington, D.C., and the Rijksmuseum in Amsterdam. In 2008, Hirst controversially staged “Beautiful Inside my Head Forever,” an auction in which he sold his work directly to the public and raked in around $200 million for himself. His individual works have sold for more than $10 million at auction.

High auction record
£9.7m, Sotheby's, 2007
Blue-chip
Represented by internationally recognized galleries.
Collected by major museums
Tate, Museum of Modern Art (MoMA)
Selected exhibitions (3)

From Hollywood films to scientific footage to classical literature, Douglas Gordon takes the seemingly familiar and twists it. Having begun his career as a performance artist, Gordon has produced a diverse body of works, which has grown to include video, sound photographic objects, and texts, often plays with viewers’ perceptions, memories and expectations. In his well known work 24 Hour Psycho (1993), he slows down Alfred Hitchcock's legendary 1960 film Psycho into a full day's duration, drawing out the horror until it has ceased to be suspenseful. As Gordon himself has said, “I am the one who provides the board, the pieces and the dice, but you are the one who has to play.” Gordon won a Hugo Boss Prize in 1998.

Blue-chip
Represented by internationally recognized galleries.
Collected by major museums
Tate, Museum of Modern Art (MoMA), San Francisco Museum of Modern Art (SFMOMA)
Selected exhibitions (3)

A pioneer of new-media art since the mid-1970s, Tony Oursler is best known for his video projections and installation works that explore technology's effects on the human mind. Honing in on much of humanity's compulsive relationship with computers and virtual networks, Oursler orchestrates microcosmic scenes, tableaus, and interventions that convey the obsession, escapism, isolation, and sexual fetish that cause or grow out of technological dependence. His works include talking streetlights, an eight-foot-long five-dollar bill with an eerily animated Abe Lincoln, an enormous cell phone spewing disjointed snippets of conversations, and ghoulish heads muttering phrases like “You treat me like garbage. I told you I love you but I don’t. Thanks for nothing.” Oursler invites viewers into disorienting psychological mini-dramas, at once engaging in their humor and disturbing for their uncanny juxtapositions and keen, biting commentaries.

Blue-chip
Represented by internationally recognized galleries.
Collected by major museums
Tate, Museum of Modern Art (MoMA), San Francisco Museum of Modern Art (SFMOMA)
Selected exhibitions (3)
Roderick Buchanan
Other works by Damien Hirst
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