Page 1 of 5
Page 1 of 5
Page 1 of 5
Medium
Signature
Hand-signed by artist, Signed, numbered, and titled in pencil
Certificate of authenticity
Included (issued by gallery)
Frame
Not included

A leading abstract painter in his lifetime, Dan Christensen drew from a range of Modernist sources to produce colorful, luminous compositions that featured giant dots, whirling loops, and grids. Originally trained in classical, figurative painting, Christensen later sought to transcend stylistic restrictions, experimenting throughout his career with an array of tools to apply paint, including rollers, squeegees, brooms, and weed-sprayers. In highly acclaimed early work he used spray guns to paint over square and looping pieces of tape, then removed the tape to create swirls and grids of color with shimmering surface effects. He also painted saturated fields of color under coats of white or dark paint, scraping away some of the top layer to reveal the bright pigment beneath, as well as plaid patterns and calligraphic marks. Christensen considered the works of Jackson Pollock and the Color Field Painters to be major influences on his practice.

Collected by major museums
Museum of Modern Art (MoMA), Lincoln Center Vera List Art Project
Selected exhibitions
2021
Abstract SelectionsBookstein Projects
2019
Lyrical Abstraction: Small ScaleBookstein Projects
2015
The Permanent Collection: Connections and ContextParrish Art Museum
View all

Veeda, 1979

Screenprint
42 × 30 in
106.7 × 76.2 cm
.
$1,250
Ships from Long Island City, NY, US
Shipping: $55 domestic, $95 rest of world
Location
Long Island City
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Medium
Signature
Hand-signed by artist, Signed, numbered, and titled in pencil
Certificate of authenticity
Included (issued by gallery)
Frame
Not included

A leading abstract painter in his lifetime, Dan Christensen drew from a range of Modernist sources to produce colorful, luminous compositions that featured giant dots, whirling loops, and grids. Originally trained in classical, figurative painting, Christensen later sought to transcend stylistic restrictions, experimenting throughout his career with an array of tools to apply paint, including rollers, squeegees, brooms, and weed-sprayers. In highly acclaimed early work he used spray guns to paint over square and looping pieces of tape, then removed the tape to create swirls and grids of color with shimmering surface effects. He also painted saturated fields of color under coats of white or dark paint, scraping away some of the top layer to reveal the bright pigment beneath, as well as plaid patterns and calligraphic marks. Christensen considered the works of Jackson Pollock and the Color Field Painters to be major influences on his practice.

Collected by major museums
Museum of Modern Art (MoMA), Lincoln Center Vera List Art Project
Selected exhibitions (3)
Other works by Dan Christensen
Other works from RoGallery
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