EFA
EHC Fine Art

numbered in pencil en verso

Medium
Signature
Unsigned, numbered en verso, not signed
Frame
Not included

Dan Colen creates mixed-media, sculptural, and painted works that locate interest and magic within the seemingly ordinary and undervalued. Drawing from mass media, local subcultures, and sources such as Walt Disney film stills, he combines the intensity of real life with reflections on the subjects of immanence and belief. His meticulously painted surfaces often replicate scrawls of graffiti, accretions of bird droppings, and absurd slogans on inadvertent monuments and sites, such as in the green-splattered oil painting Bird Shit (2007) and No Sex No War No Me (2006), where the enamel medium resembles spray-painted text. Using debris from the street—ranging from a flip-flop, to paint cans to string—Colen reclaims, scrutinizes, and transforms the everyday object.

High auction record
$3.1m, Christie's, 2014
Blue-chip
Represented by internationally recognized galleries.
Collected by a major museum
de la Cruz Collection
Selected exhibitions
2018
Dan Colen: High NoonGagosian
2016
Dan Colen: When I'm GoneGagosian
2014
Dan Colen: HELP!Brant Foundation
View all

Untitled (Bubblegum), 2011

Llithograph
12 × 18 in
30.5 × 45.7 cm
Edition of 100
.
$2,250
Ships from Washington, DC, US
Shipping: $95 domestic, $135 rest of world
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EFA
EHC Fine Art

numbered in pencil en verso

Medium
Signature
Unsigned, numbered en verso, not signed
Frame
Not included

Dan Colen creates mixed-media, sculptural, and painted works that locate interest and magic within the seemingly ordinary and undervalued. Drawing from mass media, local subcultures, and sources such as Walt Disney film stills, he combines the intensity of real life with reflections on the subjects of immanence and belief. His meticulously painted surfaces often replicate scrawls of graffiti, accretions of bird droppings, and absurd slogans on inadvertent monuments and sites, such as in the green-splattered oil painting Bird Shit (2007) and No Sex No War No Me (2006), where the enamel medium resembles spray-painted text. Using debris from the street—ranging from a flip-flop, to paint cans to string—Colen reclaims, scrutinizes, and transforms the everyday object.

High auction record
$3.1m, Christie's, 2014
Blue-chip
Represented by internationally recognized galleries.
Collected by a major museum
de la Cruz Collection
Selected exhibitions (3)
Other works from EHC Fine Art
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