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Daniele Genadry

Quite, 2018

Acrylic and oil on canvas
55 9/10 × 84 3/5 × 1 1/5 in
142 × 215 × 3 cm
About the work
Medium
Painting
Signature
Signed
Image rights
Agial Art Gallery
Daniele Genadry
Lebanese-American, b. 1980
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Daniele Genadry researches and photographs specific sites to address the idea of representation as both translation and construction. Genadry recreates her research and travels in washed-out screenprints and paintings, whose content is altered through gestures of erasure or obfuscation, such as series of pink bars running the length of the pictures. Through these changes, she examines the parallel between physical movement and the passing of time, and explores the potential of a picture or snapshot to generate its own temporality. “My work considers how memory, migration, and movement affect perception and examines those relationships through the translation and creation of images, in various media,” Genadry has said. She has also produced sculptural works.

Save
Save
share
Share
Save
Save
share
Share
About the work
Medium
Painting
Signature
Signed
Image rights
Agial Art Gallery
Daniele Genadry
Lebanese-American, b. 1980
Follow

Daniele Genadry researches and photographs specific sites to address the idea of representation as both translation and construction. Genadry recreates her research and travels in washed-out screenprints and paintings, whose content is altered through gestures of erasure or obfuscation, such as series of pink bars running the length of the pictures. Through these changes, she examines the parallel between physical movement and the passing of time, and explores the potential of a picture or snapshot to generate its own temporality. “My work considers how memory, migration, and movement affect perception and examines those relationships through the translation and creation of images, in various media,” Genadry has said. She has also produced sculptural works.

Daniele Genadry

Quite, 2018

Acrylic and oil on canvas
55 9/10 × 84 3/5 × 1 1/5 in
142 × 215 × 3 cm
Other works by Daniele Genadry
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