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Danny Lyon

Benny, Grand and Division, Chicago, 1966

Gelatin silver print, printed later.
18 1/5 × 12 2/5 in
46.2 × 31.4 cm
Bidding closed
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About the work
P
Phillips

Property Subject to VAT Section 4: 5% (see Conditions of Sale for further information)

46.2 x 31.4 …

Read more

Property Subject to VAT Section 4: 5% (see Conditions of Sale for further information)

46.2 x 31.4 cm (18 1/4 x 12 3/8 in.)

Signature
Signed, titled, dated, numbered in pencil and 'Bleak Beauty' stamp on the verso.
Danny Lyon
American, b. 1942
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Danny Lyon considers himself a photojournalist, and his work, a brand of advocacy journalism; Lyon devotes his career to documenting the demonstrations of social activism in which he has immersed himself. A self-taught photographer, Lyon was first introduced to the medium as a staff photographer for the Student Nonviolent Coordinating Committee, photographing civil rights demonstrations against segregation in the American South. His other subjects have included the Chicago Outlaw Motorcycle Club (of which he was part for two years), the Texas prison system, the Occupy movement, and the redevelopment of Lower Manhattan. His work was perhaps most strongly influenced by the 1941 publication Let Us Now Praise Famous Men, featuring text by James Agee and photographs by Walker Evans.

Save
Save
view
View in room
share
Share
Save
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view
View in room
share
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About the work
P
Phillips

Property Subject to VAT Section 4: 5% (see Conditions of Sale for further information)

46.2 x 31.4 …

Read more

Property Subject to VAT Section 4: 5% (see Conditions of Sale for further information)

46.2 x 31.4 cm (18 1/4 x 12 3/8 in.)

Signature
Signed, titled, dated, numbered in pencil and 'Bleak Beauty' stamp on the verso.
Danny Lyon
American, b. 1942
Follow

Danny Lyon considers himself a photojournalist, and his work, a brand of advocacy journalism; Lyon devotes his career to documenting the demonstrations of social activism in which he has immersed himself. A self-taught photographer, Lyon was first introduced to the medium as a staff photographer for the Student Nonviolent Coordinating Committee, photographing civil rights demonstrations against segregation in the American South. His other subjects have included the Chicago Outlaw Motorcycle Club (of which he was part for two years), the Texas prison system, the Occupy movement, and the redevelopment of Lower Manhattan. His work was perhaps most strongly influenced by the 1941 publication Let Us Now Praise Famous Men, featuring text by James Agee and photographs by Walker Evans.

Danny Lyon

Benny, Grand and Division, Chicago, 1966

Gelatin silver print, printed later.
18 1/5 × 12 2/5 in
46.2 × 31.4 cm
Bidding closed
Want to sell a work by this artist? Consign with Artsy.
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