David Adamo, ‘Untitled (8 rib, zellan)’, 2014, Sculpture, Zellan, Steel, Rodolphe Janssen
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David Adamo

Untitled (8 rib, zellan), 2014

Zellan, Steel
10 1/5 × 8 3/10 × 3 1/2 in
26 × 21 × 9 cm
Location
Brussels
About the work
RJ
Rodolphe Janssen
Brussels
Medium
David Adamo
American, b. 1979
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David Adamo is known for minimalist installations of wooden utilitarian objects, whittled down to fragility and accompanied by piles of wood shavings. Untitled (Music for Strings IV) (2010), for example, pairs a wall-lodged sledgehammer with darts, spindly canes, and a deconstructed violin case. Other works comprise baseball bats, axes, knives, and other typically masculine implements, which have earned him a reputation for violence that he refutes: “I don’t necessarily think about aggressive things when I’m in the studio…although I do work myself into a sort of frenzy,” he explains. These days Adamo is working on a larger scale and trading in figurative subjects for more abstract ones, such as construction beams. According to New York Times critic David Colman, “What elevates Adamo’s work above the mass of young conceptualists is not how cerebral it is, but how personal and emotional.”

David Adamo, ‘Untitled (8 rib, zellan)’, 2014, Sculpture, Zellan, Steel, Rodolphe Janssen
Save
Save
Share
Share
About the work
RJ
Rodolphe Janssen
Brussels
Medium
David Adamo
American, b. 1979
Follow

David Adamo is known for minimalist installations of wooden utilitarian objects, whittled down to fragility and accompanied by piles of wood shavings. Untitled (Music for Strings IV) (2010), for example, pairs a wall-lodged sledgehammer with darts, spindly canes, and a deconstructed violin case. Other works comprise baseball bats, axes, knives, and other typically masculine implements, which have earned him a reputation for violence that he refutes: “I don’t necessarily think about aggressive things when I’m in the studio…although I do work myself into a sort of frenzy,” he explains. These days Adamo is working on a larger scale and trading in figurative subjects for more abstract ones, such as construction beams. According to New York Times critic David Colman, “What elevates Adamo’s work above the mass of young conceptualists is not how cerebral it is, but how personal and emotional.”

David Adamo

Untitled (8 rib, zellan), 2014

Zellan, Steel
10 1/5 × 8 3/10 × 3 1/2 in
26 × 21 × 9 cm
Location
Brussels
Other works by David Adamo