David Batchelor, ‘November Drawing’, 2015, Ingleby Gallery

The ‘Billboard for Edinburgh’ project ran from 2008 - 2016, when the Gallery was situated in its Calton Road premises and transformed a defunct billboard on the end wall of the building. The Billboard installation would change every three months and from each a limited edition print would be published. The list of contributors includes Turner Prize nominees and winners and artists with world renowned reputations alongside emerging talents.

Batchelor’s billboard installation in the Spring of 2015 coincided with a major display of his 'Monochrome Archive (1997-2015)' at Whitechapel Gallery, London and his inclusion in the group exhibition 'Adventures of the Black Square: Abstract Art and Society 1915-2015', also at the Whitechapel Gallery.

Publisher: Ingleby Gallery

About David Batchelor

Concerned primarily with color and with the way we see and respond to different hues in the digital age, David Batchelor makes sculptural installations out of found objects. Mining cheap stores, markets, and city streets, Batchelor accumulates mass-produced items, disused domestic objects, and scrap industrial materials—including lightboxes, neon tubing, and plastics—which he repurposes to create colorful, often luminous, structures and forms. “If I use colors to begin to dissolve forms, I also use forms to prevent colors becoming entirely detached from their everyday existence,” he has said. Batchelor is also a writer and has written extensively on color theories, including a book, Chromophobia, which argues that a fear of corruption or contamination through color pervades Western cultural and intellectual thought.

British, b. 1955, Dundee, United Kingdom