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David Diao

After Morocco, 2012

Acrylic on mdf panel
12 7/8 × 23 1/2 in
32.7 × 59.7 cm
Sold
Location
New York, Roma
About the work
Exhibition history
Bibliography
Postmasters Gallery
New York, Roma
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Original 1976, 84 x 156 inches (213 x 396 cm)

Original 1976, 84 x 156 inches (213 x 396 cm)

Medium
Painting
Signature
Signed en verso
Image rights
Courtesy of Postmasters Gallery, New York City
David Diao
Chinese-American, b. 1943
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David Diao, who first won acclaim and public attention with an exhibition at Paula Cooper gallery in 1969, has dedicated two decades to making his famous works riffing on famous Modernist paintings. These paintings borrow motifs and images from the works of artists like Ad Reinhardt, Jackson Pollock, Kasimir Malevich, and Barnett Newman, using catalogues, archival photographs, and ephemera as points of reference. Diao is known for his simplification of form, minimal compositions, and use of stylized text and typography. The resultant works are both tributes to and wry interrogations of the subject-artists’ careers. Beginning in the mid-2000s, Diao began to incorporate biographical elements in his work, around themes of his Chinese heritage, emigration, and displacement. His first exhibition in China took place in 2008.

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View
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About the work
Exhibition history
Bibliography
Postmasters Gallery
New York, Roma
Follow

Original 1976, 84 x 156 inches (213 x 396 cm)

Original 1976, 84 x 156 inches (213 x 396 cm)

Medium
Painting
Signature
Signed en verso
Image rights
Courtesy of Postmasters Gallery, New York City
David Diao
Chinese-American, b. 1943
Follow

David Diao, who first won acclaim and public attention with an exhibition at Paula Cooper gallery in 1969, has dedicated two decades to making his famous works riffing on famous Modernist paintings. These paintings borrow motifs and images from the works of artists like Ad Reinhardt, Jackson Pollock, Kasimir Malevich, and Barnett Newman, using catalogues, archival photographs, and ephemera as points of reference. Diao is known for his simplification of form, minimal compositions, and use of stylized text and typography. The resultant works are both tributes to and wry interrogations of the subject-artists’ careers. Beginning in the mid-2000s, Diao began to incorporate biographical elements in his work, around themes of his Chinese heritage, emigration, and displacement. His first exhibition in China took place in 2008.

David Diao

After Morocco, 2012

Acrylic on mdf panel
12 7/8 × 23 1/2 in
32.7 × 59.7 cm
Sold
Location
New York, Roma
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Other works from Postmasters Gallery
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