David Drebin
Legs In Hallway, 2000
In a unique manner, David Drebin’s work combines voyeuristic and psychological viewpoints. He offers
Read moreIn a unique manner, David Drebin’s work combines voyeuristic and psychological viewpoints. He offers
the viewer a dramatic insight into emotions and experiences which many of us have doubtlessly felt at
some point in our lives.
Drebin’s photographs are epic, dramatic and, above all, cinematic and have been collected …
Love stories and landscapes are at the foundation of David Drebin's panoramas, portraits, and neon sculptures. His monograph Love and Other Stories (2007) features solitary women in urban tableaux—high-rise apartments buildings and terraces, freeway overpasses and hotel rooms. Dressed alternately in bikinis, evening gowns, and negligees, the women appear to be in various stages of a love affair. They pout while lying on couches and ascend grand staircases; their legs emerge from doorways and car doors, their concealed upper bodies assumedly engaged in passionate embraces. Drebin's cityscapes present sweeping views of famous locales such as Jerusalem, Paris, and New York and incorporate both built and natural features. In San Francisco Dusk (2010), an illuminated grid of buildings reaches toward the misty blue horizon of the Pacific Ocean.
In a unique manner, David Drebin’s work combines voyeuristic and psychological viewpoints. He offers
Read moreIn a unique manner, David Drebin’s work combines voyeuristic and psychological viewpoints. He offers
the viewer a dramatic insight into emotions and experiences which many of us have doubtlessly felt at
some point in our lives.
Drebin’s photographs are epic, dramatic and, above all, cinematic and have been collected …
Love stories and landscapes are at the foundation of David Drebin's panoramas, portraits, and neon sculptures. His monograph Love and Other Stories (2007) features solitary women in urban tableaux—high-rise apartments buildings and terraces, freeway overpasses and hotel rooms. Dressed alternately in bikinis, evening gowns, and negligees, the women appear to be in various stages of a love affair. They pout while lying on couches and ascend grand staircases; their legs emerge from doorways and car doors, their concealed upper bodies assumedly engaged in passionate embraces. Drebin's cityscapes present sweeping views of famous locales such as Jerusalem, Paris, and New York and incorporate both built and natural features. In San Francisco Dusk (2010), an illuminated grid of buildings reaches toward the misty blue horizon of the Pacific Ocean.
