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David Hammons

The Door (Admissions Office), 1969

Wood, acrylic sheet, and pigment construction
79 × 48 × 15 in
200.7 × 121.9 × 38.1 cm
Location
Brooklyn
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About the work
Articles
Exhibition history
Provenance
Medium
Mixed Media
Image rights
© David Hammons
David Hammons
American, b. 1943
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Since the 1960s, David Hammons has confronted American cultural stereotypes and racial issues through wittily incisive sculptures, installations, performances, and body prints. Placing himself somewhere between Arte Povera and Dada, Hammons has made art from the refuse and cast-offs of stereotypical African-American life: chicken wings, Thunderbird and Night Train bottles, dreadlock clippings, basketball hoops, elephant dung, and bottle caps. From his X-ray-like body prints made with grease, to his "Spade" series of garden spades (a reclamation of the racial slur), to Pissed Off (1981), in which he urinated against a Richard Serra sculpture, Hammons combines political sentiment with powerful aesthetic statements.

Save
Save
Share
Share
Save
Save
Share
Share
About the work
Articles
Exhibition history
Provenance
Medium
Mixed Media
Image rights
© David Hammons
David Hammons
American, b. 1943
Follow

Since the 1960s, David Hammons has confronted American cultural stereotypes and racial issues through wittily incisive sculptures, installations, performances, and body prints. Placing himself somewhere between Arte Povera and Dada, Hammons has made art from the refuse and cast-offs of stereotypical African-American life: chicken wings, Thunderbird and Night Train bottles, dreadlock clippings, basketball hoops, elephant dung, and bottle caps. From his X-ray-like body prints made with grease, to his "Spade" series of garden spades (a reclamation of the racial slur), to Pissed Off (1981), in which he urinated against a Richard Serra sculpture, Hammons combines political sentiment with powerful aesthetic statements.

David Hammons

The Door (Admissions Office), 1969

Wood, acrylic sheet, and pigment construction
79 × 48 × 15 in
200.7 × 121.9 × 38.1 cm
Location
Brooklyn
Want to sell a work by this artist? Consign with Artsy.
Other works from Witness: Art and Civil Rights in the Sixties
Other works by David Hammons
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