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David Hockney, ‘A Rake's Progress: 14 plates’, 1963, Phillips
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David Hockney

A Rake's Progress: 14 plates, 1963

Fourteen etchings with sugar-lift aquatint in black and red, on Crisbrook Royal Hotpress paper, with margins
19 3/10 × 24 in
49 × 61 cm
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About the work
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P
Phillips

Property Subject to the Artist's Resale Right (see Conditions of Sale for further information)

Medium
Print
Signature
Unsigned impressions, from one of two sets taken from the 16 cancelled plates (the edition was 50 and 10 artist's proofs), published by …
David Hockney
British, b. 1937
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A pioneer of the British Pop Art movement in the early 1960s alongside Richard Hamilton, David Hockney gained recognition for his semi-abstract paintings on the theme of homosexual love before it was decriminalized in England in 1967. In We Two Boys Clinging Together (1961), red-painted couples embrace one other while floating amidst fragments from a Walt Whitman poem. After moving to California at the end of 1963, Hockney began painting scenes of the sensual and uninhibited life of athletic young men, depicting swimming pools, palm trees, and perpetual sunshine. Experimenting with photography in the mid-1970s, Hockney went on to create his famous photocollages with Polaroids and snapshot prints arranged in a grid formation, pushing the two-dimensionality of photography to the limit, fragmenting the monocular vision of the camera and activating the viewer in the process. A versatile artist, Hockney has produced work in almost every medium—including full-scale opera set designs, prints, and drawings using cutting-edge technology such as fax machines, laser photocopiers, computers, and even iPhones and iPads.

David Hockney, ‘A Rake's Progress: 14 plates’, 1963, Phillips
Save
Save
View
View in room
Share
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About the work
Bibliography
P
Phillips

Property Subject to the Artist's Resale Right (see Conditions of Sale for further information)

From the Archive of Editions Alecto

All images: 30 x 40 cm (11 3/4 x 15 3/4 in.)
All sheets: approx. 49 x 61 cm (19 1/4 x 24 in.)

After the two sets were pulled in 1963, the sixteen cancelled plates for A Rake's …

Medium
Print
Signature
Unsigned impressions, from one of two sets taken from the 16 cancelled plates (the edition was 50 and 10 artist's proofs), published by …
David Hockney
British, b. 1937
Follow

A pioneer of the British Pop Art movement in the early 1960s alongside Richard Hamilton, David Hockney gained recognition for his semi-abstract paintings on the theme of homosexual love before it was decriminalized in England in 1967. In We Two Boys Clinging Together (1961), red-painted couples embrace one other while floating amidst fragments from a Walt Whitman poem. After moving to California at the end of 1963, Hockney began painting scenes of the sensual and uninhibited life of athletic young men, depicting swimming pools, palm trees, and perpetual sunshine. Experimenting with photography in the mid-1970s, Hockney went on to create his famous photocollages with Polaroids and snapshot prints arranged in a grid formation, pushing the two-dimensionality of photography to the limit, fragmenting the monocular vision of the camera and activating the viewer in the process. A versatile artist, Hockney has produced work in almost every medium—including full-scale opera set designs, prints, and drawings using cutting-edge technology such as fax machines, laser photocopiers, computers, and even iPhones and iPads.

David Hockney

A Rake's Progress: 14 plates, 1963

Fourteen etchings with sugar-lift aquatint in black and red, on Crisbrook Royal Hotpress paper, with margins
19 3/10 × 24 in
49 × 61 cm
Bidding closed
Want to sell a work by this artist? Consign with Artsy.
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