David Hockney, ‘Los Angeles Olympic Games 1984 (Hand Signed with Signed, Embossed Olympic Committee COA)’, 1982, Alpha 137 Gallery
David Hockney, ‘Los Angeles Olympic Games 1984 (Hand Signed with Signed, Embossed Olympic Committee COA)’, 1982, Alpha 137 Gallery

This HAND SIGNED limited edition iconic Hockney was printed as one of the fifteen Official Fine Art Olympic Posters for the 1984 Olympic Games in Los Angeles. (the XXIII'rd Olympiad). It depicts an aerial view of a swimmer under rippling water broken up into 12 squares. A statement released by the 1984 Olympic committee explains the set as follows - "The posters commissioned for the 1984 Olympics contain an enlightened selection of the best American artists with special emphasis on those who work in Southern California...As the Games develop, transpire and pass into memory, these fifteen posters contain the images, forms and symbols that will represent the 1984 Olympics in the museums, galleries, homes and the minds of people all over the world.” Printed and Published by Knapp Communications Corporation and includes Certificate of Authenticity from the publisher on official Olympic letterhead. A marvelous vintage, well-recognized Hockney image in a signed, limited edition lithograph. (This work is NOT to be confused with the ubiquitous plate signed poster of the same image, which was printed on different paper in an open edition.) In 1982, the Olympic Committee commissioned 15 artists to create posters for the 1984 Games in Los Angeles. Hockney designed this offset lithograph depicting Olympic swimming. It was printed on Parsons Diploma Parchment paper in 1982, in an edition of 750, hand signed in pencil by the artist. Other artists who created prints for the Summer Olympics included Roy Lichtenstein, Robert Rauschenberg, Richard Diebenkorn, Sam Francis, Lynda Benglis, Martin Puryear, Jennifer Bartlett, and John Baldessari. In 2017, the Olympic Museum in Lausanne Switzerland featured all 15 lithographs from this portfolio: “The 1980s were marked by non-conformism, eccentricity, audacity and joie de vivre,” say the exhibition organizers, “All these elements are clearly expressed in the stylistic vocabulary chosen by the organizers of the 1984 Games in Los Angeles, with its fun approach and acid colors.”
Published by: Knapp Communications, Inc.
Printed by: Alan Lithograph Inc. Unnumbered from the edition of 750.
Unframed and in excellent condition.
Catalogue Raisonne Reference: 131, Baggott, Hockney: Poster Art
Accompanied by copy of the Signed & Embossed Letter of Authenticity from the publisher.
Very uncommon, especially when accompanied by this COA.
Please check out our other contemporary art works on Artsy:

Signature: Signed in pencil by Hockney on the recto underneath the image; also plate signed on the image, and accompanied by a copy of the Certificate of Authenticity issued by the publisher of this work. (Again, there exist unsigned mass marketed posters on white wove paper of each of the prints, including the Hockney, but they are not to be confused with this limited edition, pencil signed lithograph on parchment.)

Olympic Museum in Lausanne, Switzerland, 2017 (different portfolio). Accompanied by a hand signed letter of authenticity from the publisher on official embossed Olympic Committee letterhead.

Catalogue Reference: Baggott, Hockney: Poster Art 131

Acquired as part of the complete portfolio so provenance is direct and irrefutable.

About David Hockney

A pioneer of the British Pop Art movement in the early 1960s alongside Richard Hamilton, David Hockney gained recognition for his semi-abstract paintings on the theme of homosexual love before it was decriminalized in England in 1967. In We Two Boys Clinging Together (1961), red-painted couples embrace one other while floating amidst fragments from a Walt Whitman poem. After moving to California at the end of 1963, Hockney began painting scenes of the sensual and uninhibited life of athletic young men, depicting swimming pools, palm trees, and perpetual sunshine. Experimenting with photography in the mid-1970s, Hockney went on to create his famous photocollages with Polaroids and snapshot prints arranged in a grid formation, pushing the two-dimensionality of photography to the limit, fragmenting the monocular vision of the camera and activating the viewer in the process. A versatile artist, Hockney has produced work in almost every medium—including full-scale opera set designs, prints, and drawings using cutting-edge technology such as fax machines, laser photocopiers, computers, and even iPhones and iPads.

British, b. 1937, Bradford, United Kingdom, based in Yorkshire, United Kingdom