navigate left
navigate right
Save
Save
view
View in room
share
Share
Save
Save
view
View in room
share
Share

David Hockney

Maurice Payne, 1971

Etching on J. Green mould-made paper
35 3/4 × 28 in
90.8 × 71.1 cm
Edition of 75
This is part of a limited edition set.
Contact For Price
location
New York
Certificate
Certificate of authenticity
This work includes a certificate of authenticity.
Have a question? Read our FAQ.
Want to sell a work by this artist? Consign with Artsy.
About the work
Bibliography
Provenance
Petersburg Press
New York
Follow

This black and white etching on fine paper features a three-quarter length profile portrait of the …

Read more

This black and white etching on fine paper features a three-quarter length profile portrait of the master printer Maurice Payne, seated, looking to the viewer’s right. Payne slumps slightly with crossed arms in his chair. His long, shaggy hair, flared pants, and close-fitting collared shirt typify 1970s style. The …

Read more
Signature
Hand-signed by artist, lower right in pencil
Certificate of authenticity
Included
Frame
Not included
Publisher
Petersburg Press
David Hockney
British, b. 1937
Follow

A pioneer of the British Pop Art movement in the early 1960s alongside Richard Hamilton, David Hockney gained recognition for his semi-abstract paintings on the theme of homosexual love before it was decriminalized in England in 1967. In We Two Boys Clinging Together (1961), red-painted couples embrace one other while floating amidst fragments from a Walt Whitman poem. After moving to California at the end of 1963, Hockney began painting scenes of the sensual and uninhibited life of athletic young men, depicting swimming pools, palm trees, and perpetual sunshine. Experimenting with photography in the mid-1970s, Hockney went on to create his famous photocollages with Polaroids and snapshot prints arranged in a grid formation, pushing the two-dimensionality of photography to the limit, fragmenting the monocular vision of the camera and activating the viewer in the process. A versatile artist, Hockney has produced work in almost every medium—including full-scale opera set designs, prints, and drawings using cutting-edge technology such as fax machines, laser photocopiers, computers, and even iPhones and iPads.

navigate left
navigate right
Save
Save
view
View in room
share
Share
Save
Save
view
View in room
share
Share
About the work
Bibliography
Provenance
Petersburg Press
New York
Follow

This black and white etching on fine paper features a three-quarter length profile portrait of the …

Read more

This black and white etching on fine paper features a three-quarter length profile portrait of the master printer Maurice Payne, seated, looking to the viewer’s right. Payne slumps slightly with crossed arms in his chair. His long, shaggy hair, flared pants, and close-fitting collared shirt typify 1970s style. The …

Read more
Signature
Hand-signed by artist, lower right in pencil
Certificate of authenticity
Included
Frame
Not included
Publisher
Petersburg Press
David Hockney
British, b. 1937
Follow

A pioneer of the British Pop Art movement in the early 1960s alongside Richard Hamilton, David Hockney gained recognition for his semi-abstract paintings on the theme of homosexual love before it was decriminalized in England in 1967. In We Two Boys Clinging Together (1961), red-painted couples embrace one other while floating amidst fragments from a Walt Whitman poem. After moving to California at the end of 1963, Hockney began painting scenes of the sensual and uninhibited life of athletic young men, depicting swimming pools, palm trees, and perpetual sunshine. Experimenting with photography in the mid-1970s, Hockney went on to create his famous photocollages with Polaroids and snapshot prints arranged in a grid formation, pushing the two-dimensionality of photography to the limit, fragmenting the monocular vision of the camera and activating the viewer in the process. A versatile artist, Hockney has produced work in almost every medium—including full-scale opera set designs, prints, and drawings using cutting-edge technology such as fax machines, laser photocopiers, computers, and even iPhones and iPads.

David Hockney

Maurice Payne, 1971

Etching on J. Green mould-made paper
35 3/4 × 28 in
90.8 × 71.1 cm
Edition of 75
This is part of a limited edition set.
Contact For Price
location
New York
Certificate
Certificate of authenticity
This work includes a certificate of authenticity.
Have a question? Read our FAQ.
Want to sell a work by this artist? Consign with Artsy.
Other works by David Hockney
Other works from Petersburg Press
Related works
Most Similar