When David Hockney discovered the iPhone as an artistic medium, he opened up entirely new possibilities for painting. He made his first digital drawings in spring 2009. The iPhone was easy to use and he didn’t even have to get out of bed to start his working day, drawing morning impressions in broad lines and dazzling …

Medium
Condition
Pristine
Signature
Hand-signed by artist, Signed in Pencil Lower Right
Certificate of authenticity
Included
Frame
Included
Series
My Window
Publisher
Taschen

A pioneer of the British Pop Art movement in the early 1960s alongside Richard Hamilton, David Hockney gained recognition for his semi-abstract paintings on the theme of homosexual love before it was decriminalized in England in 1967. In We Two Boys Clinging Together (1961), red-painted couples embrace one other while floating amidst fragments from a Walt Whitman poem. After moving to California at the end of 1963, Hockney began painting scenes of the sensual and uninhibited life of athletic young men, depicting swimming pools, palm trees, and perpetual sunshine. Experimenting with photography in the mid-1970s, Hockney went on to create his famous photocollages with Polaroids and snapshot prints arranged in a grid formation, pushing the two-dimensionality of photography to the limit, fragmenting the monocular vision of the camera and activating the viewer in the process. A versatile artist, Hockney has produced work in almost every medium—including full-scale opera set designs, prints, and drawings using cutting-edge technology such as fax machines, laser photocopiers, computers, and even iPhones and iPads.

High auction record
$90.3m, Christie's, 2018
Blue-chip
Represented by internationally recognized galleries.
Collected by major museums
Tate, Museum of Modern Art (MoMA)
Selected exhibitions
2017
David Hockney: 82 Portraits and 1 Still-lifeGuggenheim Museum Bilbao
David HockneyThe Metropolitan Museum of Art
2016
David Hockney: CurrentNational Gallery of Victoria
View all

My Window, Art Edition (No. 251–500) ‘No. 281’, 23rd July 2010, 2010

Colour Inkjet Print on Paper
22 × 17 in
56 × 43.2 cm
Edition of 250
.
Contact for Price
Location
Cambridge
Certificate
This work includes a certificate of authenticity.
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When David Hockney discovered the iPhone as an artistic medium, he opened up entirely new …

Medium
Condition
Pristine
Signature
Hand-signed by artist, Signed in Pencil Lower Right
Certificate of authenticity
Included
Frame
Included
Series
My Window
Publisher
Taschen

A pioneer of the British Pop Art movement in the early 1960s alongside Richard Hamilton, David Hockney gained recognition for his semi-abstract paintings on the theme of homosexual love before it was decriminalized in England in 1967. In We Two Boys Clinging Together (1961), red-painted couples embrace one other while floating amidst fragments from a Walt Whitman poem. After moving to California at the end of 1963, Hockney began painting scenes of the sensual and uninhibited life of athletic young men, depicting swimming pools, palm trees, and perpetual sunshine. Experimenting with photography in the mid-1970s, Hockney went on to create his famous photocollages with Polaroids and snapshot prints arranged in a grid formation, pushing the two-dimensionality of photography to the limit, fragmenting the monocular vision of the camera and activating the viewer in the process. A versatile artist, Hockney has produced work in almost every medium—including full-scale opera set designs, prints, and drawings using cutting-edge technology such as fax machines, laser photocopiers, computers, and even iPhones and iPads.

High auction record
$90.3m, Christie's, 2018
Blue-chip
Represented by internationally recognized galleries.
Collected by major museums
Tate, Museum of Modern Art (MoMA)
Selected exhibitions (3)
Other works by David Hockney
Other works from Mr & Mrs Clark’s
Related works
Related artists