David Hockney, ‘The Blue Guitar: five plates’, 1976-77, Phillips

Property Subject to VAT Section 4, 5%; Property Subject to Artist's Resale Right (see Conditions of Sale for further information)

All images: 34.5 x 42 cm (13 5/8 x 16 1/2 in.)
All sheets: approx. 46 x 52.5 cm (18 1/8 x 20 5/8 in.) one vertical

Including: On It May Stay His Eye (plate 17), In Chiaroscuro (plate 9), Discord Merely Magnifies (plate 7), Franco-American Mail (plate 5), and Figures with Still Life (plate 10)

Signature: All signed and numbered 44/200, 151/200, 44/200, 30/200 and 30/200 in pencil (there were also 35 artist's proofs), published by Petersburg Press, New York, all unframed.

Museum of Contemporary Art Tokyo 182, 184, 186-187, and 194
Scottish Arts Council 203, 205, 207-208, and 215

About David Hockney

A pioneer of the British Pop Art movement in the early 1960s alongside Richard Hamilton, David Hockney gained recognition for his semi-abstract paintings on the theme of homosexual love before it was decriminalized in England in 1967. In We Two Boys Clinging Together (1961), red-painted couples embrace one other while floating amidst fragments from a Walt Whitman poem. After moving to California at the end of 1963, Hockney began painting scenes of the sensual and uninhibited life of athletic young men, depicting swimming pools, palm trees, and perpetual sunshine. Experimenting with photography in the mid-1970s, Hockney went on to create his famous photocollages with Polaroids and snapshot prints arranged in a grid formation, pushing the two-dimensionality of photography to the limit, fragmenting the monocular vision of the camera and activating the viewer in the process. A versatile artist, Hockney has produced work in almost every medium—including full-scale opera set designs, prints, and drawings using cutting-edge technology such as fax machines, laser photocopiers, computers, and even iPhones and iPads.

British, b. 1937, Bradford, United Kingdom, based in Yorkshire, United Kingdom