David Hockney, ‘The Blue Guitar: title page’, 1976-77, Phillips
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David Hockney

The Blue Guitar: title page, 1976-77

Etching and aquatint, on Inveresk mould-made paper, with full margins, contained in the original cream leather-covered portfolio.
20 3/5 × 18 in
52.4 × 45.7 cm
Edition 68/200 + 35AP
Bidding closed
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About the work
Bibliography
P
Phillips

I. 16 7/8 x 13 5/8 in. (42.9 x 34.6 cm)
S. 20 5/8 x 18 in. (52.4 x 45.7 cm)

This lot is to be Sold …

Medium
Signature
Signed and numbered 68/200 in pencil (there were also 35 artist's proofs), published by Petersburg Press, New York, including the …
David Hockney
British, b. 1937
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A pioneer of the British Pop Art movement in the early 1960s alongside Richard Hamilton, David Hockney gained recognition for his semi-abstract paintings on the theme of homosexual love before it was decriminalized in England in 1967. In We Two Boys Clinging Together (1961), red-painted couples embrace one other while floating amidst fragments from a Walt Whitman poem. After moving to California at the end of 1963, Hockney began painting scenes of the sensual and uninhibited life of athletic young men, depicting swimming pools, palm trees, and perpetual sunshine. Experimenting with photography in the mid-1970s, Hockney went on to create his famous photocollages with Polaroids and snapshot prints arranged in a grid formation, pushing the two-dimensionality of photography to the limit, fragmenting the monocular vision of the camera and activating the viewer in the process. A versatile artist, Hockney has produced work in almost every medium—including full-scale opera set designs, prints, and drawings using cutting-edge technology such as fax machines, laser photocopiers, computers, and even iPhones and iPads.

David Hockney, ‘The Blue Guitar: title page’, 1976-77, Phillips
Save
Save
View
View in room
Share
Share
About the work
Bibliography
P
Phillips

I. 16 7/8 x 13 5/8 in. (42.9 x 34.6 cm)
S. 20 5/8 x 18 in. (52.4 x 45.7 cm)

This lot is to be Sold with No Reserve

Medium
Signature
Signed and numbered 68/200 in pencil (there were also 35 artist's proofs), published by Petersburg Press, New York, including the …
David Hockney
British, b. 1937
Follow

A pioneer of the British Pop Art movement in the early 1960s alongside Richard Hamilton, David Hockney gained recognition for his semi-abstract paintings on the theme of homosexual love before it was decriminalized in England in 1967. In We Two Boys Clinging Together (1961), red-painted couples embrace one other while floating amidst fragments from a Walt Whitman poem. After moving to California at the end of 1963, Hockney began painting scenes of the sensual and uninhibited life of athletic young men, depicting swimming pools, palm trees, and perpetual sunshine. Experimenting with photography in the mid-1970s, Hockney went on to create his famous photocollages with Polaroids and snapshot prints arranged in a grid formation, pushing the two-dimensionality of photography to the limit, fragmenting the monocular vision of the camera and activating the viewer in the process. A versatile artist, Hockney has produced work in almost every medium—including full-scale opera set designs, prints, and drawings using cutting-edge technology such as fax machines, laser photocopiers, computers, and even iPhones and iPads.

David Hockney

The Blue Guitar: title page, 1976-77

Etching and aquatint, on Inveresk mould-made paper, with full margins, contained in the original cream leather-covered portfolio.
20 3/5 × 18 in
52.4 × 45.7 cm
Edition 68/200 + 35AP
Bidding closed
Want to sell a work by this artist? Consign with Artsy.
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