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Page 1 of 9

This large scale portrait portrays Ken Tyler. Gazing intently at the viewer through dark, aviator-style sunglasses, the master printer reclines in a small armchair. Hockney’s subject poses with subtle panache, arms and legs crossed, a dark mustache obscuring Tyler’s slight grin. His long hair, flared pants, and …

Medium
Signature
Hand-signed by artist, lower right in red crayon
Certificate of authenticity
Included
Frame
Not included
Publisher
Gemini G.E.L.

A pioneer of the British Pop Art movement in the early 1960s alongside Richard Hamilton, David Hockney gained recognition for his semi-abstract paintings on the theme of homosexual love before it was decriminalized in England in 1967. In We Two Boys Clinging Together (1961), red-painted couples embrace one other while floating amidst fragments from a Walt Whitman poem. After moving to California at the end of 1963, Hockney began painting scenes of the sensual and uninhibited life of athletic young men, depicting swimming pools, palm trees, and perpetual sunshine. Experimenting with photography in the mid-1970s, Hockney went on to create his famous photocollages with Polaroids and snapshot prints arranged in a grid formation, pushing the two-dimensionality of photography to the limit, fragmenting the monocular vision of the camera and activating the viewer in the process. A versatile artist, Hockney has produced work in almost every medium—including full-scale opera set designs, prints, and drawings using cutting-edge technology such as fax machines, laser photocopiers, computers, and even iPhones and iPads.

High auction record
$90.3m, Christie's, 2018
Blue-chip
Represented by internationally recognized galleries.
Collected by major museums
Tate, Museum of Modern Art (MoMA)
Selected exhibitions
2017
David Hockney: 82 Portraits and 1 Still-lifeGuggenheim Museum Bilbao
David HockneyThe Metropolitan Museum of Art
2016
David Hockney: CurrentNational Gallery of Victoria
View all

The Master Printer of Los Angeles, 1973

Lithograph and screen print on cream Arches paper
47 1/2 × 31 1/2 in
120.7 × 80 cm
Edition of 27
.
Sold
Location
New York
Certificate
This work includes a certificate of authenticity.
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This large scale portrait portrays Ken Tyler. Gazing intently at the viewer through dark, …

Medium
Signature
Hand-signed by artist, lower right in red crayon
Certificate of authenticity
Included
Frame
Not included
Publisher
Gemini G.E.L.

A pioneer of the British Pop Art movement in the early 1960s alongside Richard Hamilton, David Hockney gained recognition for his semi-abstract paintings on the theme of homosexual love before it was decriminalized in England in 1967. In We Two Boys Clinging Together (1961), red-painted couples embrace one other while floating amidst fragments from a Walt Whitman poem. After moving to California at the end of 1963, Hockney began painting scenes of the sensual and uninhibited life of athletic young men, depicting swimming pools, palm trees, and perpetual sunshine. Experimenting with photography in the mid-1970s, Hockney went on to create his famous photocollages with Polaroids and snapshot prints arranged in a grid formation, pushing the two-dimensionality of photography to the limit, fragmenting the monocular vision of the camera and activating the viewer in the process. A versatile artist, Hockney has produced work in almost every medium—including full-scale opera set designs, prints, and drawings using cutting-edge technology such as fax machines, laser photocopiers, computers, and even iPhones and iPads.

High auction record
$90.3m, Christie's, 2018
Blue-chip
Represented by internationally recognized galleries.
Collected by major museums
Tate, Museum of Modern Art (MoMA)
Selected exhibitions (3)
Other works by David Hockney
Other works from Petersburg Press
Related works
Related artists