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David Maljkovic

Afterform, 2013

Painted plywood plinth, projector stand, single slide projection, collaged inkjet prints mounted on alucore in aluminum frame
63 × 144 1/10 × 76 2/5 in
160 × 366 × 194 cm
location
Vienna
About the work
David Maljkovic
Croatian, b. 1973
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David Maljkovic’s films, collages, sculpture, and installations address the historical, cultural, and ideological heritage of modernist projects in Croatia. In a 2010 exhibition, “Recalling Frames,” Maljkovic’s photomontages combined still images from Orson Welles' film The Trial, a haunting damnation of inhuman bureaucracy shot in Zagreb in 1962, with the artist's own contemporary photographs of the filming locations. Maljkovic meticulously photographed Zagreb's Cold War-era Modernist buildings from the same extreme angles used in the film. Splicing together black-and-white negatives, the works form a sort of compression of decades of political and urban change.

Save
Save
share
Share
Save
Save
share
Share
About the work
David Maljkovic
Croatian, b. 1973
Follow

David Maljkovic’s films, collages, sculpture, and installations address the historical, cultural, and ideological heritage of modernist projects in Croatia. In a 2010 exhibition, “Recalling Frames,” Maljkovic’s photomontages combined still images from Orson Welles' film The Trial, a haunting damnation of inhuman bureaucracy shot in Zagreb in 1962, with the artist's own contemporary photographs of the filming locations. Maljkovic meticulously photographed Zagreb's Cold War-era Modernist buildings from the same extreme angles used in the film. Splicing together black-and-white negatives, the works form a sort of compression of decades of political and urban change.

David Maljkovic

Afterform, 2013

Painted plywood plinth, projector stand, single slide projection, collaged inkjet prints mounted on alucore in aluminum frame
63 × 144 1/10 × 76 2/5 in
160 × 366 × 194 cm
location
Vienna
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