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David Maljkovic

All Day All Year, 2016

Inkjet on canvas painted with oil colors mounted on aluminum composite panel and inkjet print on archival paper mounted on archival carboard
59 1/10 × 39 2/5 in
150 × 100 cm
Unique
Location
Rome
About the work
T
T293
Rome
Medium
Photography
David Maljkovic
Croatian, b. 1973
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David Maljkovic’s films, collages, sculpture, and installations address the historical, cultural, and ideological heritage of modernist projects in Croatia. In a 2010 exhibition, “Recalling Frames,” Maljkovic’s photomontages combined still images from Orson Welles' film The Trial, a haunting damnation of inhuman bureaucracy shot in Zagreb in 1962, with the artist's own contemporary photographs of the filming locations. Maljkovic meticulously photographed Zagreb's Cold War-era Modernist buildings from the same extreme angles used in the film. Splicing together black-and-white negatives, the works form a sort of compression of decades of political and urban change.

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About the work
T
T293
Rome
Medium
Photography
David Maljkovic
Croatian, b. 1973
Follow

David Maljkovic’s films, collages, sculpture, and installations address the historical, cultural, and ideological heritage of modernist projects in Croatia. In a 2010 exhibition, “Recalling Frames,” Maljkovic’s photomontages combined still images from Orson Welles' film The Trial, a haunting damnation of inhuman bureaucracy shot in Zagreb in 1962, with the artist's own contemporary photographs of the filming locations. Maljkovic meticulously photographed Zagreb's Cold War-era Modernist buildings from the same extreme angles used in the film. Splicing together black-and-white negatives, the works form a sort of compression of decades of political and urban change.

David Maljkovic

All Day All Year, 2016

Inkjet on canvas painted with oil colors mounted on aluminum composite panel and inkjet print on archival paper mounted on archival carboard
59 1/10 × 39 2/5 in
150 × 100 cm
Unique
Location
Rome
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