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David Maljkovic

Yet to be titled, 2017

Inkjet print on cotton canvas mounted on aluminium composite panel, laser drawings
29 1/2 × 19 7/10 in
75 × 50 cm
location
Tel Aviv, Brussels
About the work
DG
Dvir Gallery
Tel Aviv, Brussels
David Maljkovic
Croatian, b. 1973
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David Maljkovic’s films, collages, sculpture, and installations address the historical, cultural, and ideological heritage of modernist projects in Croatia. In a 2010 exhibition, “Recalling Frames,” Maljkovic’s photomontages combined still images from Orson Welles' film The Trial, a haunting damnation of inhuman bureaucracy shot in Zagreb in 1962, with the artist's own contemporary photographs of the filming locations. Maljkovic meticulously photographed Zagreb's Cold War-era Modernist buildings from the same extreme angles used in the film. Splicing together black-and-white negatives, the works form a sort of compression of decades of political and urban change.

Save
Save
view
View in room
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Save
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View in room
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About the work
DG
Dvir Gallery
Tel Aviv, Brussels
David Maljkovic
Croatian, b. 1973
Follow

David Maljkovic’s films, collages, sculpture, and installations address the historical, cultural, and ideological heritage of modernist projects in Croatia. In a 2010 exhibition, “Recalling Frames,” Maljkovic’s photomontages combined still images from Orson Welles' film The Trial, a haunting damnation of inhuman bureaucracy shot in Zagreb in 1962, with the artist's own contemporary photographs of the filming locations. Maljkovic meticulously photographed Zagreb's Cold War-era Modernist buildings from the same extreme angles used in the film. Splicing together black-and-white negatives, the works form a sort of compression of decades of political and urban change.

David Maljkovic

Yet to be titled, 2017

Inkjet print on cotton canvas mounted on aluminium composite panel, laser drawings
29 1/2 × 19 7/10 in
75 × 50 cm
location
Tel Aviv, Brussels
Other works by David Maljkovic