Deborah Kass, ‘OY/YO’, 2019, Sculpture, Painted aluminum on polished aluminum base, Vertu Fine Art
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Deborah Kass

OY/YO, 2019

Painted aluminum on polished aluminum base
7 × 14 × 4 in
17.8 × 35.6 × 10.2 cm
Edition of 35
.
Sold
Location
Boca Raton, New York, Bridgehampton
Want to sell a work by this artist? Consign with Artsy.
About the work
Medium
Condition
Pristine
Signature
Hand-signed by artist, Signed on the Verso
Frame
Not included
Deborah Kass
American, b. 1952
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Walking the line between respectful homage and brazen appropriation, Deborah Kass mimics and reworks the signature styles of some of the 20th century’s most iconic male artists—including Frank Stella, Andy Warhol, Jackson Pollock, and Ed Ruscha—in her bold, meticulous paintings. “They’re my daddies,” she has said, in witty acknowledgment of her indebtedness to her male antecedents. Kass’s alterations of their work in her own paintings are both bitingly funny formal interventions and keenly critical commentary on the historically dominant position of male artists. Feminism is central to her approach. As she explains: “It is about my desire to be part of what they’re a part of. […] I think the desire was ambition and greatness. For women of my age, it was still not very cool to be overtly ambitious.”

Deborah Kass, ‘OY/YO’, 2019, Sculpture, Painted aluminum on polished aluminum base, Vertu Fine Art
Save
Save
Share
Share
About the work
Medium
Condition
Pristine
Signature
Hand-signed by artist, Signed on the Verso
Frame
Not included
Deborah Kass
American, b. 1952
Follow

Walking the line between respectful homage and brazen appropriation, Deborah Kass mimics and reworks the signature styles of some of the 20th century’s most iconic male artists—including Frank Stella, Andy Warhol, Jackson Pollock, and Ed Ruscha—in her bold, meticulous paintings. “They’re my daddies,” she has said, in witty acknowledgment of her indebtedness to her male antecedents. Kass’s alterations of their work in her own paintings are both bitingly funny formal interventions and keenly critical commentary on the historically dominant position of male artists. Feminism is central to her approach. As she explains: “It is about my desire to be part of what they’re a part of. […] I think the desire was ambition and greatness. For women of my age, it was still not very cool to be overtly ambitious.”

Deborah Kass

OY/YO, 2019

Painted aluminum on polished aluminum base
7 × 14 × 4 in
17.8 × 35.6 × 10.2 cm
Edition of 35
.
Sold
Location
Boca Raton, New York, Bridgehampton
Want to sell a work by this artist? Consign with Artsy.
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