Medium
Signature
Hand-signed by artist, stamped by artist's estate, sticker label
Certificate of authenticity
Included

Walking the line between respectful homage and brazen appropriation, Deborah Kass mimics and reworks the signature styles of some of the 20th century’s most iconic male artists—including Frank Stella, Andy Warhol, Jackson Pollock, and Ed Ruscha—in her bold, meticulous paintings. “They’re my daddies,” she has said, in witty acknowledgment of her indebtedness to her male antecedents. Kass’s alterations of their work in her own paintings are both bitingly funny formal interventions and keenly critical commentary on the historically dominant position of male artists. Feminism is central to her approach. As she explains: “It is about my desire to be part of what they’re a part of. […] I think the desire was ambition and greatness. For women of my age, it was still not very cool to be overtly ambitious.”

Established
Represented by industry leading galleries.
Collected by a major museum
Museum of Modern Art (MoMA)
Selected exhibitions
2020
Deborah Kass: Painting & SculptureKavi Gupta
2018
Something to Say: Brooklyn Hi-Art! Machine, Deborah Kass, Kameelah Janan Rasheed, and Hank Willis ThomasBrooklyn Museum
2016
Deborah Kass: Art HistoriesBrand New Gallery
View all

OY/YO (Yellow), 2018

Solid aluminum with yellow powder coat buffed to a high gloss and mounted on a polished aluminum base
7 1/2 × 14 × 3 1/2 in
19.1 × 35.6 × 8.9 cm
Editions 45, 49 of 50
.
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Location
Palm Beach, Los Angeles
Certificate
This work includes a certificate of authenticity.
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Medium
Signature
Hand-signed by artist, stamped by artist's estate, sticker label
Certificate of authenticity
Included

Walking the line between respectful homage and brazen appropriation, Deborah Kass mimics and reworks the signature styles of some of the 20th century’s most iconic male artists—including Frank Stella, Andy Warhol, Jackson Pollock, and Ed Ruscha—in her bold, meticulous paintings. “They’re my daddies,” she has said, in witty acknowledgment of her indebtedness to her male antecedents. Kass’s alterations of their work in her own paintings are both bitingly funny formal interventions and keenly critical commentary on the historically dominant position of male artists. Feminism is central to her approach. As she explains: “It is about my desire to be part of what they’re a part of. […] I think the desire was ambition and greatness. For women of my age, it was still not very cool to be overtly ambitious.”

Established
Represented by industry leading galleries.
Collected by a major museum
Museum of Modern Art (MoMA)
Selected exhibitions (3)
Other works by Deborah Kass
Other works from Gavlak
Related artists