Deborah Kass, ‘OY-YO (2 Panels)’, 2020, Print, Color silkscreen and flocking on Rising 2-ply Museum Board, Kenneth A. Friedman & Co.
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Deborah Kass

OY-YO (2 Panels), 2020

Color silkscreen and flocking on Rising 2-ply Museum Board
32 × 60 in
81.3 × 152.4 cm
Edition of 40
.
Contact For Price
Location
Calabasas, Los Angeles
Certificate
Certificate of authenticity
This work includes a certificate of authenticity.
Have a question? Visit our help center.
Want to sell a work by this artist? Consign with Artsy.
About the work
Medium
Condition
Mint
Signature
Each panel hand signed, numbered and dated in pencil
Certificate of authenticity
Included
Deborah Kass
American, b. 1952
Follow

Walking the line between respectful homage and brazen appropriation, Deborah Kass mimics and reworks the signature styles of some of the 20th century’s most iconic male artists—including Frank Stella, Andy Warhol, Jackson Pollock, and Ed Ruscha—in her bold, meticulous paintings. “They’re my daddies,” she has said, in witty acknowledgment of her indebtedness to her male antecedents. Kass’s alterations of their work in her own paintings are both bitingly funny formal interventions and keenly critical commentary on the historically dominant position of male artists. Feminism is central to her approach. As she explains: “It is about my desire to be part of what they’re a part of. […] I think the desire was ambition and greatness. For women of my age, it was still not very cool to be overtly ambitious.”

Deborah Kass, ‘OY-YO (2 Panels)’, 2020, Print, Color silkscreen and flocking on Rising 2-ply Museum Board, Kenneth A. Friedman & Co.
Save
Save
View
View in room
Share
Share
About the work
Medium
Condition
Mint
Signature
Each panel hand signed, numbered and dated in pencil
Certificate of authenticity
Included
Deborah Kass
American, b. 1952
Follow

Walking the line between respectful homage and brazen appropriation, Deborah Kass mimics and reworks the signature styles of some of the 20th century’s most iconic male artists—including Frank Stella, Andy Warhol, Jackson Pollock, and Ed Ruscha—in her bold, meticulous paintings. “They’re my daddies,” she has said, in witty acknowledgment of her indebtedness to her male antecedents. Kass’s alterations of their work in her own paintings are both bitingly funny formal interventions and keenly critical commentary on the historically dominant position of male artists. Feminism is central to her approach. As she explains: “It is about my desire to be part of what they’re a part of. […] I think the desire was ambition and greatness. For women of my age, it was still not very cool to be overtly ambitious.”

Deborah Kass

OY-YO (2 Panels), 2020

Color silkscreen and flocking on Rising 2-ply Museum Board
32 × 60 in
81.3 × 152.4 cm
Edition of 40
.
Contact For Price
Location
Calabasas, Los Angeles
Certificate
Certificate of authenticity
This work includes a certificate of authenticity.
Have a question? Visit our help center.
Want to sell a work by this artist? Consign with Artsy.
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