Deborah Roberts, ‘Future Tense’, 2018, Drawing, Collage or other Work on Paper, 60 parts, mixed media and collage on paper, Stephen Friedman Gallery
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Deborah Roberts

Future Tense, 2018

60 parts, mixed media and collage on paper
70 3/4 × 96 in
179.7 × 243.8 cm
.
Sold
Location
London , London
About the work
Medium
Deborah Roberts
American, b. 1962
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In intricately composed collages, Deborah Roberts articulates a pictorial language of African American girlhood that emphasizes the changeable nature of identity and its potential to both empower and oppress. The Austin-based artist uses photographs, magazine clippings, and images from the internet to emphasize the implications of societal pressures and privilege that dominate popular media. Roberts’ style of collage suggests bodily fragmentation, but the composite figures at the forefront of her world also exude imagination and uncanny vitality. Roberts presents an exploded view of beauty that makes room for excluded and marginalized narratives while fighting generalized and discriminatory perceptions of black female experiences. Asked what she hoped for viewers to take away, Roberts said, “When you look at my work, you have to look at every part of the face and make something out of those fragments. That’s one of the gifts of the work—to see people differently, and not just as one being. Blackness is global.”

Deborah Roberts, ‘Future Tense’, 2018, Drawing, Collage or other Work on Paper, 60 parts, mixed media and collage on paper, Stephen Friedman Gallery
Save
Save
View
View in room
Share
Share
About the work
Medium
Deborah Roberts
American, b. 1962
Follow

In intricately composed collages, Deborah Roberts articulates a pictorial language of African American girlhood that emphasizes the changeable nature of identity and its potential to both empower and oppress. The Austin-based artist uses photographs, magazine clippings, and images from the internet to emphasize the implications of societal pressures and privilege that dominate popular media. Roberts’ style of collage suggests bodily fragmentation, but the composite figures at the forefront of her world also exude imagination and uncanny vitality. Roberts presents an exploded view of beauty that makes room for excluded and marginalized narratives while fighting generalized and discriminatory perceptions of black female experiences. Asked what she hoped for viewers to take away, Roberts said, “When you look at my work, you have to look at every part of the face and make something out of those fragments. That’s one of the gifts of the work—to see people differently, and not just as one being. Blackness is global.”

Deborah Roberts

Future Tense, 2018

60 parts, mixed media and collage on paper
70 3/4 × 96 in
179.7 × 243.8 cm
.
Sold
Location
London , London
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