Denis Darzacq, ‘Group 01, Act 50’, 2010, Photography, Digital C-print, Centre for Fine Arts (BOZAR)
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Denis Darzacq

Group 01, Act 50, 2010

Digital C-print
51 1/5 × 39 2/5 in
130 × 100 cm
Edition 8
.
Medium
Image rights
© Denis Darzacq
Denis Darzacq
French, b. 1961
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Best know for his images that capture the poetic expressionism of bodies in motion, Denis Darzacq’s varied series all share a preoccupation with duality and incongruity — nature and culture, digital versus human, creation versus consumption. His popular "La Chute" (2005-2006) and "Hyper" (2007-2009) documented dancers flying and falling in unusual contortions, mirroring the anxiety of a generation caught at the sociopolitical crossroads of the times. While a later iteration, "Act" (2008-1011) invited young people with disabilities to express freedom from limitations by performing in a similar manner. More recently with "Doublemix" (2014-2015) and "Contreformes" (2017), a new formalism has emerged but the photo/sculpture experimentations are still as much a commentary about consumerism and life in the digital age as they are about aesthetics. With an allegorical sensibility and collaborative spirit, Darzacq fluently alternates between documentary and abstraction capturing the cultural consciousness of a world in flux.

Denis Darzacq, ‘Group 01, Act 50’, 2010, Photography, Digital C-print, Centre for Fine Arts (BOZAR)
Save
Save
View
View in room
Share
Share
Medium
Image rights
© Denis Darzacq
Denis Darzacq
French, b. 1961
Follow

Best know for his images that capture the poetic expressionism of bodies in motion, Denis Darzacq’s varied series all share a preoccupation with duality and incongruity — nature and culture, digital versus human, creation versus consumption. His popular "La Chute" (2005-2006) and "Hyper" (2007-2009) documented dancers flying and falling in unusual contortions, mirroring the anxiety of a generation caught at the sociopolitical crossroads of the times. While a later iteration, "Act" (2008-1011) invited young people with disabilities to express freedom from limitations by performing in a similar manner. More recently with "Doublemix" (2014-2015) and "Contreformes" (2017), a new formalism has emerged but the photo/sculpture experimentations are still as much a commentary about consumerism and life in the digital age as they are about aesthetics. With an allegorical sensibility and collaborative spirit, Darzacq fluently alternates between documentary and abstraction capturing the cultural consciousness of a world in flux.

Denis Darzacq

Group 01, Act 50, 2010

Digital C-print
51 1/5 × 39 2/5 in
130 × 100 cm
Edition 8
.
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