Dennis Hopper, ‘Double Standard’, 1961, Phillips

Collection of Georges Bermann

Signature: Signed, dated and numbered 3/8 in pencil on the verso.

Los Angeles Now, exh. cat., Robert Fraser Gallery, London, 1966, cover
P. Noever, ed., Dennis Hopper: A System of Moments, Hatje Cantz, 2001, cover and p. 262
T. Shafrazi, ed., Dennis Hopper: Photographs 1961-1967, Taschen, 2009, cover
Dennis Hopper: Double Standard, exh. cat., MOCA, Los Angeles, 2010, cover and p. 8
P. Giloy-Hirtz, Dennis Hopper: The Lost Album, Vintage Prints from the Sixties, Prestel, 2012, pp. 197, 236, pl. 356

Gagosian Gallery, Paris

About Dennis Hopper

Though he is best known as the auteur of Easy Rider (1969) and as a prolific actor, with roles in some of the most iconic films of the 20th century, including Rebel Without a Cause (1955), Apocalypse Now (1979), and Blue Velvet (1986), Dennis Hopper was also an active visual artist. Influenced by a range of actors and artists, including James Dean, Marcel Duchamp, and Andy Warhol, he produced paintings, assemblages, and hundreds of photographs in concentrated periods throughout his career. In the early 1960s, he was among the key figures in L.A.’s avant-garde art scene. Photography was central to his practice; from 1961-67, Hopper shot in California, New York, Alabama, and Mexico, amassing a body of black-and-white photographs ranging from street scenes to portraits of icons of the age, establishing a vision that would shape his acclaimed directorial work.

American, 1936-2013, Dodge City, KS, United States

Group Shows

2016
New York,
Shrines to Speed Art And The Automobile: From The Minimal To The Postmodern