Diego Rivera
Emiliano Zapata, 1932
Signed and dated in pencil, numbered 57/100, with margins (the sheet edges unevenly trimmed), a …
Read moreSigned and dated in pencil, numbered 57/100, with margins (the sheet edges unevenly trimmed), a small loss at the lower left sheet corner, uneven light- and mat staining, a ¾-in. skillfully repaired tear at the lower left sheet edge and other lesser defects, framed
Image: 16 ¼ x 13 1/8 in. (413 x 333 mm.)
Sheet: 18 7/8 …
Inspired by Renaissance frescoes and motivated by a conviction in the value of public art, Diego …
Read moreInspired by Renaissance frescoes and motivated by a conviction in the value of public art, Diego Rivera found his calling as a muralist. A visit to the Soviet Union informed his signature earth-toned, Social Realist style. In accordance with his Marxist views, he “made the masses the heroes of monumental art,” …
Read moreSigned and dated in pencil, numbered 57/100, with margins (the sheet edges unevenly trimmed), a …
Read moreSigned and dated in pencil, numbered 57/100, with margins (the sheet edges unevenly trimmed), a small loss at the lower left sheet corner, uneven light- and mat staining, a ¾-in. skillfully repaired tear at the lower left sheet edge and other lesser defects, framed
Image: 16 ¼ x 13 1/8 in. (413 x 333 mm.)
Sheet: 18 7/8 …
Inspired by Renaissance frescoes and motivated by a conviction in the value of public art, Diego …
Read moreInspired by Renaissance frescoes and motivated by a conviction in the value of public art, Diego Rivera found his calling as a muralist. A visit to the Soviet Union informed his signature earth-toned, Social Realist style. In accordance with his Marxist views, he “made the masses the heroes of monumental art,” …
Read more
