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Diego Rivera

Two works: i) First Study for the mural project at the California School of Fine Arts (CSFA) ii) Second Study for the mural project at the California School of Fine Arts (CSFA), 1930-1931

I) conte crayon, ink and graphite on paper; ii) graphite and ink on paper
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About the work
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Provenance
P
Phillips

i) 25 2/3 x 20 in. (65.2 x 50.8 cm)
ii) 24 1/2 x 18 5/8 in. (62.2 x 47.3 cm)

i) 25 2/3 x 20 in. (65.2 x 50.8 cm)
ii) 24 1/2 x 18 5/8 in. (62.2 x 47.3 cm)

Signature
I) inscribed lower right ii) inscribed lower right
Diego Rivera
Mexican, 1886–1957
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Inspired by Renaissance frescoes and motivated by a conviction in the value of public art, Diego …

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Inspired by Renaissance frescoes and motivated by a conviction in the value of public art, Diego Rivera found his calling as a muralist. A visit to the Soviet Union informed his signature earth-toned, Social Realist style. In accordance with his Marxist views, he “made the masses the heroes of monumental art,” …

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Save
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share
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About the work
Bibliography
Provenance
P
Phillips

i) 25 2/3 x 20 in. (65.2 x 50.8 cm)
ii) 24 1/2 x 18 5/8 in. (62.2 x 47.3 cm)

i) 25 2/3 x 20 in. (65.2 x 50.8 cm)
ii) 24 1/2 x 18 5/8 in. (62.2 x 47.3 cm)

Signature
I) inscribed lower right ii) inscribed lower right
Diego Rivera
Mexican, 1886–1957
Follow

Inspired by Renaissance frescoes and motivated by a conviction in the value of public art, Diego …

Read more

Inspired by Renaissance frescoes and motivated by a conviction in the value of public art, Diego Rivera found his calling as a muralist. A visit to the Soviet Union informed his signature earth-toned, Social Realist style. In accordance with his Marxist views, he “made the masses the heroes of monumental art,” …

Read more

Diego Rivera

Two works: i) First Study for the mural project at the California School of Fine Arts (CSFA) ii) Second Study for the mural project at the California School of Fine Arts (CSFA), 1930-1931

I) conte crayon, ink and graphite on paper; ii) graphite and ink on paper
Bidding closed
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