Do Ho Suh, ‘Untitled (Glass Bowl)’, 2004, International Studio & Curatorial Program
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Do Ho Suh

Untitled (Glass Bowl), 2004

Glass
7 × 9 × 9 in
17.8 × 22.9 × 22.9 cm
.
Sold
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About the work
Provenance
International Studio & Curatorial Program
Brooklyn

Do-Ho Suh’s "Untitled (Glass Bowl)" is a glass sculpture with an impression of the …

Medium
Certificate of authenticity
Included
Frame
Not included
Image rights
Photo by onwhitewall.com
Do Ho Suh
South Korean, b. 1962
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Do Ho Suh is renowned for his site-specific installations that manipulate scale to emphasize the malleability of space and examine the issues of cultural identity and anonymity. Suh’s training in traditional Oriental painting and his mandatory service in the South Korean military have significantly influenced his work. In his 2003 work Some/One, for example, thousands of military dog tags are amassed in an interlocking pattern to form the larger silhouette of a traditional Korean robe, illustrating the way individuals are used as building blocks to shape a collective whole.

Do Ho Suh, ‘Untitled (Glass Bowl)’, 2004, International Studio & Curatorial Program
Save
Save
Share
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About the work
Provenance
International Studio & Curatorial Program
Brooklyn

Do-Ho Suh’s "Untitled (Glass Bowl)" is a glass sculpture with an impression of the artist’s outstretched hands in its base. The handblown glass seems to offer Suh’s creative energy as a gift. With this gesture of generosity, something ephemeral solidifies and something deeply personal becomes social. Like …

Medium
Certificate of authenticity
Included
Frame
Not included
Image rights
Photo by onwhitewall.com
Do Ho Suh
South Korean, b. 1962
Follow

Do Ho Suh is renowned for his site-specific installations that manipulate scale to emphasize the malleability of space and examine the issues of cultural identity and anonymity. Suh’s training in traditional Oriental painting and his mandatory service in the South Korean military have significantly influenced his work. In his 2003 work Some/One, for example, thousands of military dog tags are amassed in an interlocking pattern to form the larger silhouette of a traditional Korean robe, illustrating the way individuals are used as building blocks to shape a collective whole.

Do Ho Suh

Untitled (Glass Bowl), 2004

Glass
7 × 9 × 9 in
17.8 × 22.9 × 22.9 cm
.
Sold
Certificate
Certificate of authenticity
This work includes a certificate of authenticity.
Want to sell a work by this artist? Consign with Artsy.
Series by this artist
Other works by Do Ho Suh
Other works from International Studio & Curatorial Program
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