Donald Judd, ‘Untitled’, 1988, Print, Suite of ten woodcuts printed in ivory black on Okawara paper, with original colophon and grey case, Carolina Nitsch Contemporary Art
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Donald Judd

Untitled, 1988

Suite of ten woodcuts printed in ivory black on Okawara paper, with original colophon and grey case
24 × 31 in
61 × 78.7 cm
Edition of 25 + 10AP
.
Sold
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About the work
Bibliography
Carolina Nitsch Contemporary Art
New York

Each: 24 x 31 inches (61 x 78.7 cm)

Medium
Signature
Each signed numbered verso
Donald Judd
American, 1928–1994
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Donald Judd, widely regarded as one of the most significant American artists of the post-war period, is perhaps best-known for the large-scale outdoor installations and long, spacious interiors he designed in Marfa, Texas. His oeuvre has come to define what has been referred to as Minimalist art—a label the artist strongly objected to. His sculptures and installations, constructed out of industrial materials such as Plexiglas, concrete, and steel and arranged in precise geometric shapes, were intended to emphasize the purity of the objects themselves rather than any symbolic meaning they might have—“the simple expression of complex thought,” said Judd. His particular interest in architecture led him to design both the sculptures and the spaces in which they would be contained, influencing a generation of artists and designers from Anish Kapoor to David Batchelor.

Donald Judd, ‘Untitled’, 1988, Print, Suite of ten woodcuts printed in ivory black on Okawara paper, with original colophon and grey case, Carolina Nitsch Contemporary Art
Save
Save
View
View in room
Share
Share
About the work
Bibliography
Carolina Nitsch Contemporary Art
New York

Each: 24 x 31 inches (61 x 78.7 cm)

Medium
Signature
Each signed numbered verso
Donald Judd
American, 1928–1994
Follow

Donald Judd, widely regarded as one of the most significant American artists of the post-war period, is perhaps best-known for the large-scale outdoor installations and long, spacious interiors he designed in Marfa, Texas. His oeuvre has come to define what has been referred to as Minimalist art—a label the artist strongly objected to. His sculptures and installations, constructed out of industrial materials such as Plexiglas, concrete, and steel and arranged in precise geometric shapes, were intended to emphasize the purity of the objects themselves rather than any symbolic meaning they might have—“the simple expression of complex thought,” said Judd. His particular interest in architecture led him to design both the sculptures and the spaces in which they would be contained, influencing a generation of artists and designers from Anish Kapoor to David Batchelor.

Donald Judd

Untitled, 1988

Suite of ten woodcuts printed in ivory black on Okawara paper, with original colophon and grey case
24 × 31 in
61 × 78.7 cm
Edition of 25 + 10AP
.
Sold
Want to sell a work by this artist? Consign with Artsy.
Series by this artist
Other works by Donald Judd
Other works from Carolina Nitsch Contemporary Art