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Donald Sultan, ‘Black Roses (October); Black Roses (November); and Black Roses (December)’, 1989, Phillips
Donald Sultan, ‘Black Roses (October); Black Roses (November); and Black Roses (December)’, 1989, Phillips
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Donald Sultan

Black Roses (October); Black Roses (November); and Black Roses (December), 1989

Three aquatints, on Twinrocker Paper, with full margins
Edition 6/53 + 10AP
This is part of a limited edition set.
Bidding closed
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About the work
P
Phillips

Property from an Important New York Collection

All images: 21 3/4 x 29 5/8 in. (55.2 x 75.2 cm)
All …

Property from an Important New York Collection

All images: 21 3/4 x 29 5/8 in. (55.2 x 75.2 cm)
All sheets: 32 1/8 x 39 5/8 in. (81.6 x 100.6 cm)

All signed, dated, titled and numbered 6/53 in pencil (there were also 10 artist's proofs), published by Parasol Press, Ltd., New York, all unframed.

Medium
Print
Donald Sultan
American, b. 1951
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Donald Sultan’s large-scale still life paintings are filled with rich iconography—provocative objects, like bulbous fruits, set against a tar-black background. Although primarily classified as a still lifes, Sultan maintains that his works (despite their representational objects—flowers, lemons, eggs, buttons) are first and foremost abstract. Born in Asheville, North Carolina, Sultan moved to New York City in 1975 upon completion of his advanced studies. He is recognized as a painter, printmaker, and sculptor, and best known for his large compositions made following a unique technique: in place of canvas, Sultan covers masonite with 12-inch vinyl floor tiles, from which he cuts geometric and organic forms. Sultan fills the negative spaces with tar or plaster, followed by a layer of paint; his resulting images are distinctively textured and equally balance the contrast of positive and negative space.

Donald Sultan, ‘Black Roses (October); Black Roses (November); and Black Roses (December)’, 1989, Phillips
Donald Sultan, ‘Black Roses (October); Black Roses (November); and Black Roses (December)’, 1989, Phillips
Save
Save
Share
Share
Save
Save
Share
Share
About the work
P
Phillips

Property from an Important New York Collection

All images: 21 3/4 x 29 5/8 in. (55.2 x 75.2 cm)
All …

Property from an Important New York Collection

All images: 21 3/4 x 29 5/8 in. (55.2 x 75.2 cm)
All sheets: 32 1/8 x 39 5/8 in. (81.6 x 100.6 cm)

All signed, dated, titled and numbered 6/53 in pencil (there were also 10 artist's proofs), published by Parasol Press, Ltd., New York, all unframed.

Medium
Print
Donald Sultan
American, b. 1951
Follow

Donald Sultan’s large-scale still life paintings are filled with rich iconography—provocative objects, like bulbous fruits, set against a tar-black background. Although primarily classified as a still lifes, Sultan maintains that his works (despite their representational objects—flowers, lemons, eggs, buttons) are first and foremost abstract. Born in Asheville, North Carolina, Sultan moved to New York City in 1975 upon completion of his advanced studies. He is recognized as a painter, printmaker, and sculptor, and best known for his large compositions made following a unique technique: in place of canvas, Sultan covers masonite with 12-inch vinyl floor tiles, from which he cuts geometric and organic forms. Sultan fills the negative spaces with tar or plaster, followed by a layer of paint; his resulting images are distinctively textured and equally balance the contrast of positive and negative space.

Donald Sultan

Black Roses (October); Black Roses (November); and Black Roses (December), 1989

Three aquatints, on Twinrocker Paper, with full margins
Edition 6/53 + 10AP
This is part of a limited edition set.
Bidding closed
Want to sell a work by this artist? Consign with Artsy.
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