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Dora Budor

Slow Ticking of the Callous Mind, 2015

Screen-used miniature rooftop from “Batman Returns” (1992), steel armature, epoxy clay, diseased latex prosthetics, acrylic polymer with pigment suspension, sfx and weathering paint, assorted metal hardware
location
New York
About the work
Exhibition history
Image rights
Courtesy the artist and New Galerie, Pars in collaboration with NOIRMONTARTPRODUCTION
Dora Budor
Croatian, b. 1984
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Exploring cultural phenomena surrounding mainstream cinema in America, Dora Budor creates …

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Exploring cultural phenomena surrounding mainstream cinema in America, Dora Budor creates sculptures and films that expose the technical and otherwise overlooked elements of movies. Budor most regularly engages with movie props—objects which are inherently fake or flawed, yet appear real and perfect on-screen—in order …

Read more
Save
Save
share
Share
Save
Save
share
Share
About the work
Exhibition history
Image rights
Courtesy the artist and New Galerie, Pars in collaboration with NOIRMONTARTPRODUCTION
Dora Budor
Croatian, b. 1984
Follow

Exploring cultural phenomena surrounding mainstream cinema in America, Dora Budor creates …

Read more

Exploring cultural phenomena surrounding mainstream cinema in America, Dora Budor creates sculptures and films that expose the technical and otherwise overlooked elements of movies. Budor most regularly engages with movie props—objects which are inherently fake or flawed, yet appear real and perfect on-screen—in order …

Read more

Dora Budor

Slow Ticking of the Callous Mind, 2015

Screen-used miniature rooftop from “Batman Returns” (1992), steel armature, epoxy clay, diseased latex prosthetics, acrylic polymer with pigment suspension, sfx and weathering paint, assorted metal hardware
location
New York
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